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ڈرامہسال2011دورانیہ1h 51mIMDb6.3

Womb

ڈرامہرومانیسائنس فائی

ایک عورت کے استعمال سے محبت اسے اپنے مردہ محبوب کا کلون برداشت کرنے پر مجبور کرتی ہے۔ بچپن سے لے کر مردانگی تک ، اسے اپنے متنازعہ فیصلے کی ناگزیر پیچیدگیوں کا سامنا کرنا پڑتا ہے۔

ابھی دیکھیں

ٹریلر

کاسٹ

Benedek Fliegauf

Director

Eva Green

Rebecca

Matt Smith

Thomas

Lesley Manville

Judith

Peter Wight

Ralph

István Lénárt

Henry

Hannah Murray

Monica

Ruby O. Fee

Rebecca - 9 Years

TC

Tristan Christopher

Thomas - 10 Years

JH

Jesse Hoffmann

Thomas - 5 Years

Natalia Tena

Rose

Ella Smith

Molly

Wunmi Mosaku

Erica

AG

Alexander Goeller

Marc

AW

Adrian Wahlen

Eric

Gina Stiebitz

Dima

Amanda Lawrence

Teacher

Jennifer Lim

Mrs. Muju

TE

Tina Engel

Doctor

Benedek Fliegauf

Writer

تبصرے

10 تبصرے

Rahan Khan302Jun 6, 2026

urdu

Mia BothaMar 20, 2026

Laxmi SiwakotiAug 22, 2024

With a plot about conceiving and cloning your dead beloved I expected this movie to possibly become all kinds of disturbing. Luckily, the script is dealt with the hands of a director and a cast who handled the script delicately and on a humane level. That's not to say that this movie is politically correct in any way or won't be disturbing to some, but events that many directors would play for shock-value are dealt with in a way that it feels natural and it deals with mainly grey areas, a complicated issue never have a easy solution after all. Despite being very slow I was never bored and it sustain my interest throughout, a lot to do with some excellent acting, especially Eva Green shines. It's also visually very pleasing for the eyes with some very good cinematography.

grace..Aug 22, 2024

SPOILERS! This is a very sparse film as far as dialogue and plot development goes. It's very rich in imagery, and the images are indeed beautiful. I mean that one has to pay attention when one watches this, because it might seem a slow movie, with the abundance of shots of the German coast, and snails and skies, but the story develops at a brisk pace in the beginning. It's all highly implicit, the passage of time is indicated by characters being played by different actors, but especially in the case of the boy Tommie, they look sometimes so similar, it's really hard to tell. Remarkable about this movie is the start, there's very little dialogue, it's just a recording of kids lounging about or sitting and staring into space. There's a lot of that. I guess the director found his inner Sergio Leone and liked the famous opening of "C'era una volta il West (1968)" ...a lot. Here, the filmmakers are exaggerating the adage that you shouldn't tell too much, because only later I've learned that this part of the movie, when the main protagonists are kids, is supposed to be a whole summer, and not just a few days, as I initially thought. Very careful handling of the nudity as well. They'll get burned for it anyways, but it's craftily not showing any nudity. Whether what Rebecca (Eva Green) does is actual incest is kind of debatable. What's noticeable is that she let's him call her mother, and mom, and he does so a lot. Perhaps to underline the impossibility of it all. At the end, Thomas calls her explicitly Rebecca and not Mother, to indicate the changed relationship. There's also some irony to let the black mother, the obese mother and the elderly mother display such prejudice towards the 'copies', because it's these groups especially who have suffered from immense prejudices themselves, but apparently they aren't afraid to do it to others. I think it's always risky to take a comedian and let him play a serious drama role, especially when he has the same facial ticks that he has as Dr. Who. Here and there I've read that the director didn't really know what Dr. Who was, or that Matt played him. The acting performances are quality all around, and it's nice to see a vibrant Hannah Murray. I hadn't seen her since season 1 of Skins and it's always uncertain how child actresses turn out at a later age. She looks younger than her 21 years and is a very decent actress, I'm curious to see what she would do with a more challenging role. The Melancholic Alcoholic.

Clementina 🏳️‍🌈❤️Aug 22, 2024

This is a sparse and beautifully filmed sci-fi drama, very much along the lines of Never Let Me Go. The subject matter makes this an uncomfortable film to watch and it is almost unrelentingly bleak. The dark tone of the film is augmented by the stunning cinematography which were the highlight of the film for me. The performances are only so so. I am not a fan of Matt Smith who is merely adequate. Eva Green does a better job as the mother/girlfriend. The rest of the cast are good but are given very limited screen time. The film doesn't really go anywhere but for me it never got boring. It does raise some interesting questions about cloning without ramming them down your throat. It was a much better film than I thought it would be and if you don't mind slow moving drama is well worth a watch.

Ali belabessAug 22, 2024

The theme of the film is haunting, provocative, controversial and irresistible. I had to see it as soon as I read the synopsis. It started hauntigly enough, with a pregnant woman and a beautiful beach. I am not going to go into details as far as the plot is concerned but this was supposed to be a love story. A woman clones and gives birth to a man who she is supposed to be in love with but not out of love, out of guilt, she felt guilty he died. I hate it when you know the director meant for the viewer to feel a certain emotion at a certain time and I felt none of that. I didn't feel the connection between the characters. In the beginning they were friends, than something more but not lovers, than a mother and child and in the end...well, see for yourself if you want to feel as if you have just wasted a couple of hours of your life. Great idea, really poorly executed.

rihame 💜🖤💖Aug 22, 2024

When first reading about this film, I thought to myself there is no way I shall be watching this; however, somehow I did end up watching it. Eva Green was absolutely incredible and gave true meaning to the character. The character's constant state of shock is beautifully performed and she manages to keep the character so real and uses naturalistic dexterity. As for Matt Smith, he brought a true sense of innocence to his character and really allowed himself to connect to the audience as a third-party character. Director, Benedek Fliegauf, did a superb job at keeping the realism of the piece. Often with these types of story lines, they lose meaning due to over acting and melodrama, however the director allowed everything to have a sense of stillness and time was a fantastic theme used throughout the story. The use of water that appeared a lot was very well crafted to represent the process of life to death; and this had good relation to the story itself. As I don't want to give away too much, I shall just say the final scene left me in tears. Whilst the concept is rather disturbing, as it contradicts morals and is extremely controversial, it was played out in such a way, it allows the viewer to actually connect with the characters and see the situation from their point of view. It's a great example of how the bad can be perceived as good and how viewers can emotionally connect with characters, who did seem ever so real.

FiveJul 15, 2024

tiana🇬🇭🇳🇬Jul 15, 2024

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