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عملسال2024دورانیہ1h 39mIMDb2.5

Kill Craft

عمل

مرینا اپنی معذور ماں اور اس کے ہٹ مین باپ کے ساتھ رہتی ہے۔ جب وہ کام پر مر جاتا ہے تو ، اسے خاندانی کاروبار کا چارج لینا چاہئے اور اپنی ماں کی دیکھ بھال کرنی ہوگی۔ مرنے کے لئے نشان زد ، مرینا کو زندہ رہنے کے لئے قاتلوں کی دنیا پر تشریف لے جانا چاہئے۔

ابھی دیکھیں

ٹریلر

کاسٹ

Mark Savage

Director

Michael Paré

Thomas Delon

Sanae Loutsis

Marina Delon

Bill Oberst Jr.

Poe

Isis Eggleston

Freya

Amy DiLorenzo

Ruth Delon

Cole Springer

Kyle Freeman

TA

Theresa Allen

Kitty

Caleb Baker

Police Officer

Jason Brooks

Stable Guard

BC

Ben Chacon

Piano Player

Jennifer Corbridge

Police Officer

CC

Carl Covington

Granger's Bodyguard

Joy Curtis

Older Woman

Jerry Dykeman

Bert

AF

Angela Faro

Mrs. Alonzo

Pete Flattum

Granger

JW

John W. Fowler

Samuel Taggert

Earl Gray

Kosinski

Mark Savage

Writer

تبصرے

10 تبصرے

iamkabir..Nov 11, 2025

.m....jjjjujm..

salwaNov 6, 2024

Aliou-1erOct 23, 2024

Michael PatacceOct 23, 2024

Amal Abass Abdel RedaJul 15, 2024

Thomas Delon (Michael Paré) is an assassin who works locally in a small city and never gets suspected or caught. He takes orders from an Italian crime boss named Freeman (Jake Jacobson ) through Teddy Poe (Bill Oberst Jr.) who is Norman Bates crazy. Teddy uses a simple code for Thomas and places it in a bottle buried in the sand along with cash inside a box. He was seen getting information by his daughter Marina (Sanae Loutsis). When daddy is killed, Marina takes over his business. They went overboard attempting to create a character for Poe and pretty much-ignored everyone else. The acting was as bad as the script. There didn't seem to be a director. Guide: F-word. Nudity (Theresa Allen)

ihirwelamarJul 15, 2024

From the start of this film director Mark Savage takes viewers on a strange journey where an innocent young girl is compelled to take on the family business after her father suffers a tragedy. The family business, of course, is murder by contract. Frighteningly opposed by psycho-character actor Bill Oberst Jr., young Marina, played by Sanae Loutsis, espouses her new role as a contract killer passionately, despite some unexpected bending of her moral arc. Despite its violence, the film's horror scenes are atmospheric more than gory, and there are several sequences that made this viewer recall traditional classics in the genre. Above all, this action-horror hybrid is a need-to-be-told tale about a daughter's duty to her family and the preservation of her father's legacy. That's something any father would be proud of. The film kept my attention from start to finish, and like other films by Mark Savage, was full of oddball surprises and of the usual high technical quality with a killer score.

Yizzy IrvingJul 15, 2024

Thomas Delon (Michael Paré) is a killer for hire. His latest assignment goes badly and he gets shot. His daughter Marina (Sanae Loutsis) doesn't know about his work. She gets into trouble at school following her delinquent friend Freya. They uncover Thomas' work. When he gets killed, Marina takes over the family business. Member Michael Paré. He used to be a thing. He has continued to work and that's more than the vast majority of SAG members. He actually looks good. He's aging well. He was never a great actor, but he's good enough to lead any B-movie. This is definitely a B-movie. The blood and gore is second rate. The blood is too orange and watery. The gore looks very fake although this has lots of it. The girls are not the best, but let's not be too mean. The villains are much worst. They're trying to be wacky, but they come off as weak. They have no presence. This is low budget, low skilled, and low everything. At least, they're trying.

Arif KhatriJul 15, 2024

Kill Craft is a cinematic abomination that defies explanation. It's a jumbled mess of poor acting, atrocious writing, and cringe-worthy special effects. I'd rather watch paint dry than sit through this trainwreck again. The plot (if you can call it that) is a convoluted disaster, with characters making decisions that would make even the most basic AI go, 'Hmm, nope, not doing that.' The dialogue is cringe-worthy, with gems like, 'I'll kill you... craft!' (no, really, that's a real line). The acting? Forget about it. The 'actors' in this movie make high school drama club rejects look like Oscar winners. And don't even get me started on the 'action scenes,' which are about as thrilling as a sedated sloth. Kill Craft: a cinematic abomination! Poor acting, atrocious writing, and cringe-worthy special effects. Plot's a convoluted disaster, characters make brainless decisions. Dialogue's cringe-worthy, acting's sub-par. Action scenes are thrilling as a sedated sloth. The editing's choppy, sound design's laughable, and the ending's a mind-boggling mess. Avoid this waste of time, travesty of filmmaking, and insult to cinema. Even a rat wouldn't watch! It's a catastrophe, a monstrosity, a... well, you get the idea.

ZOLCHE SIDIBE 😎Jul 15, 2024

This movie is very poorly written, and all of the acting performances are terrible. The director is bad, and the editing did not save it. Nobody in real life talks, or acts, like these characters. Several actors were atrocious. I got a very bad opinion of it just 10 minutes in, and it only went downhill from there. There are far more cringe moments than than scenes that felt realistic or believable. Save yourself, and avoid this pathetic hack job. It's almost entirely a waste of time. The music is also boring and unremarkable. I could never recommend this movie to anyone except perhaps as a good example of how never to make a movie.

ArnoldLeonard05Jul 15, 2024

This movie was terrible. The guy who played the Hitman was the only passable actor in the film. The story was so unbelievable. The kid has no idea what her dad does. Her disabled mother sits up in bed with full makeup like she's ready to go out for Date Night. What the hell was the affliction of that female at the end with the Twisted acrobatic gun slinging? She looked like she was possessed. I will Never get that hour back.😭😩😭😭😭😭. I like to give low budget movies the benefit of the doubt. Some have a great storyline - something that needs to be told. I would be embarrassed to tell anyone that I actually sat through the whole film.

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