DrameAnnée2021Durée1h 17mIMDb6.7

La femme qui s'est enfuie

Name: La femme qui s'est enfuie
Genre: Drame
Released: 2021-07-09
Rating: 6.7

Drame

Alors que son mari est en voyage d'affaires, Gamhee rencontre trois de ses amies à la périphérie de Séoul. À trois reprises et de manière inattendue, un homme interrompt le fil tranquille de leurs conversations.

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Bande-annonce

Casting

Hong Sang-soo

Director

Iseo Kang

An interview woman

Kim Min-hee

Gam-hee

Eun-mi Lee

Young-ji

Hae-hyo Kwon

Mr. Jeong

Song Seon-mi

Soo-young

Young-hwa Seo

Young-soon

Sae-byeok Kim

Woo-jin

Seong-guk Ha

Young Poet

Seok-ho Shin

Cat Man

Hong Sang-soo

Writer

Commentaires

6 commentaires

Pranitha OfficialAug 15, 2025

TWWR is about an extremely thin woman who visits three friends, separately, while her husband (who may not exist) is away on a trip. With each friend she eats and drinks and talks. This is a fairly common device for when there's no other action to be getting on with: meals, a substitute for drama which you will see in any soap opera you care to name. Pleasant enough to look at, well acted on the whole and interesting for a glimpse of middle-class Korean life, which seems to be exactly like any other middle class life. Some of the crash zooms are a bit clumsy, maybe the camera was old. Rather slow - people park their cars, try on coats, watch films, eat, drink and talk. Only two men appear, which may be a positive for you. Middle class Korea looks, er, nice. Seoul house prices are discussed at length. The dramatic tension appears to rest in the fact that no matter how much she eats, she gets thinner and thinner. She doesn't do any running. Does she have worms? The question is left unresolved.

Sumee ManandharOct 18, 2022

Sauce

Vhong NavarroOct 17, 2022

Absurd dialogues, movie is shot like a school project, I feel like I wasted my time which will never get back.

momentoghOct 17, 2022

" Three states, whether divorced, unmarried or married, none is perfect for a woman, each has its own pitfalls and perks, that amounts to common knowledge. As for Gam-hee, what runs underneath her 'happy marriage' guise is some undertow inaccessible to viewers. Kim Min-hee can telegraph emotional shadings in a heartbeat, but cumulatively, she hardly step out of her comfort zone in Hong's conceptualization of an 'every woman' to his liking, all her characters are consistently cerebral, coy, sensitive and prone to keep one's own counsel." read my full review on my blog: Cinema Omnivore, thanks.

TheiconesthyOct 17, 2022

This is a comfort movie. The older you get, the more sensible you become. It is funny looking back into the past when we meet the familiar faces. Friendships, aquaintances, love, marriage, divorce, separation, loneliness, happiness, sadness, betrayals, and all other things together patched up. Sometimes we do need the closure even if it doesnt bothers so much. Remember everything that we worry about now wont even be an issue few years down the line.

HotaOct 14, 2022

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La femme qui s'est enfuie

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