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KomedyaTaon2011Tagal1h 28mIMDb6.1

True Adolescents

KomedyaDrama

Jobless and apartment-less, Sam crashes with his aunt as a last resort and becomes reluctant camping-trip chaperone to her teenage son and a pal.

Panoorin Ngayon

Trailer

Cast

Craig Johnson

Director

Mark Duplass

Sam Bryant

Bret Loehr

Oliver Mitchell

CT

Carr Thompson

Jake

Melissa Leo

Sharon Mitchell

Emma Dumont

Cara

LP

Lilly Perreault

Ashley

Linas Phillips

Slater

Davie-Blue

Jericha

SK

Snow Keim

JR

Laura Kai Chen

Amy

Dave Hobbs

Casey

RT

Rufus Tureen

Punk Kid #1

JP

Jennifer Perreault

Candace

Elizabeth Herron

Waitress

EM

Erika Mayfield

Celia

KH

Katie Herron

Squid Girl

Indus Alelia

Happy girl on bus

Sammy The Dwarf

Patron

Craig Johnson

Writer

Mga Komento

10 Mga Komento

HAYAMay 29, 2023

source: True Adolescents

Vhong NavarroMay 25, 2023

Musa DibbaNov 22, 2022

This quiet film stealthily approaches some rather profound questions about growing up, finding an identity, maturing, and developing a sense of responsibility—and it just kind of leaves them there, unanswered. That's not to say the film is without merit. Mark Duplass is perfectly cast as Sam, the 30something "true adolescent" who finds himself without a job, a girlfriend, or a home. While crashing at his aunt's place, he gets recruited to chaperone his cousin and his cousin's best friend on a camping trip. A silly prank in the middle of the trip accidentally uncovers a delicate moment, which propels much of the subsequent action of the film even as its importance remains marginalized and only tangentially alluded to as the movie progresses toward an inconclusive resolution. "True Adolescents" is what I would call a "problem film"—but one I enjoyed nonetheless (even though I still can't decide whether I actually like Mark Duplass).

HAYANov 22, 2022

Mark Duplass stars as Sam--a loser who, in his mid-30s, has no home and no job....but he is in a band! When he moves in with his aunt and her family, he mostly sits around doing nothing--that is, until he gets drafted into taking his 14 year-old cousin and his friend on a camping trip. Now considering all three have exactly the same maturity level, you know things can't go well with good 'ol Sam in charge! And, not surprisingly, that's exactly what happens. Can Sam somehow, for once, short some maturity and get them back safely? Or, will they be eaten by bears and squirrels and hippies in the Pacific Northwest? This is an unusual film in many ways. It is NOT formulaic but at the same time I am sure a lot of folks WON'T like it very much because it does not have a happy ending. I respect it, however, because it avoided formula and because the filmmakers did a good job of actually capturing the essence of 14 year-olds. Instead of the Hollywood way where you get a 20-something to play a 14 year-old, these really WERE kids that age. And, they talked like kids that age--not like Hollywood versions of kids! I only recently retired from teaching and know how 14 year-olds talk--and they DO talk like the boys in "True Adolescents". Worth seeing even if the film seems very incomplete by its conclusion.

farhin patelNov 22, 2022

Sam is a character who hates the idea of growing up, and, even as he approaches his mid-thirties, he clings onto the idea that he is a musician that will get his big break any minute from now. His ideology is the kind teenagers exiting high school or entering college possess, but then go onto approach a life-realization that they're living in a fantasy. Sam hasn't received such an awakening, and this makes for the perfect coming of age film centered on a character that solemnly loathes the idea. Sam is played by Mark Duplass, who, consistent readers will know, is quickly becoming one of my favorite male leads. After getting kicked out by his girlfriend, Sam crashes at his aunt's home in upstate Seattle (Melissa Leo) where she lives with her teenage son Oliver (Bret Loehr). When her divorced husband calls off the camping trip between him and Oliver, Sam feels almost obligated to take his dad's place and, after some convincing by his aunt, reluctantly takes Oliver and his best friend Jake (Carr Thompson) on a replacement camping trip. In a Hollywood film, the formula that would prove prophetic is that the three would be met with The Great Outdoors-style problems, wreak havoc on mother nature, have their actions prove reckless and almost inconsequential to nature and man, and walk away learning just about nothing. Thankfully, this is not a Hollywood film. It's a subtle, successful merge between a "mainstream" independent movie and the grassroots of comprehensive mumblecore (another recent example of the hybrid would be Colin Trevorrow's Safety Not Guaranteed). Mumblecore is often characterized by the naturalistic flow of its dialog and the inherent messiness of its videography and editing. Here, it has that polished look, while maintaining naturalistic dialog executed wonderfully by actors lacking a household name (with the possible exception of Leo). By the middle of the second half, I felt I kind of knew were this was going, yet was still liking every minute of it. It is then the film introduces an unexpectedly daring twist that catches one off-guard and ushers in a plethora of story possibilities, resulting in a pleasant maturity for the cast and crew. Writer Craig Johnson doesn't cop out when the going gets tough, but forces his characters to buckle down and grow up within the last half hour of the film. True Adolescents brilliantly showcases the maturity of a genre and its characters, by, as always, giving them a brutally honest slice of life and utilizing small events as the film's main conflicts. The character actors are wonderful, the scenery of the Olympic Peninsula is gorgeous, the scenery, especially in the woods, is thrilling and inviting, and all of this makes for a wonderfully earnest debut from writer Craig Johnson, who may rank next to the Duplass brothers, Andrew Bujalski, and Lynn Shelton as the best mumblecore directors in the business. Starring: Mark Duplass, Bret Loehr, and Carr Thompson. Directed by: Craig Johnson.

Marcus PobeeNov 22, 2022

I thought the movie was light-hearted and cute for what it was. A screwed-up Gen-Xer type who, at age 34, is still without a real job, and, instead of remaining a selfish miscreant while living with his aunt, he decides to take up the offer to take his cousin and his cousin's pal on a camping trip for the weekend. The movie really is about male-bonding with someone other than a father figure from a younger age perspective, and over the course of this weekend, these two boys learn a bit about girls, themselves, camping, and looking out for one another. Mark Duplass plays a great role as the Gen-Xer type who is trying to find out what to make of his life. There were interesting plot turns and elements that remind me of "Stand By Me" or something. It features a lot of hipper, Washington State-based music, too (close to those of the 90's, the audience is even reminded of the Seattle Sub>Pop movement). I didn't care much for the ending, but it's the trend of the times right now to leave things open-ended for some characters. And I didn't like the fact that they wasted so much footage trying to find the pal for the entire day. I didn't feel it needed that much attention to the hardship of that feat. With that being said, though, that's the worst part of the movie. I wouldn't buy it for my collection per se, but I do think its worth the rent. 6 stars.

Jarelle Nolwene ElanNov 22, 2022

I liked Mark Duplass quite a lot in "Humpday," and there are several moments in "True Adolescents" when you get a glimpse of what a good actor he has it in him to be. But what also struck me about his performance in this coming-of-age story was how unlikable he can be when paired with the wrong material. He plays an immature musician, drifting through life and pissing off just about anyone who might be willing to tolerate him, until, bottomed out and crashing in his aunt's house, he agrees to take her son and his best friend on a camping expedition when the kid's father bails on him (for what, we are to understand, is the umpteenth time). While on that trip, something happens between the two teenagers that jeopardizes, and perhaps with dangerous results, their trip and forces Duplass into the role of adult, a role for which he is not overly suited. We're supposed to think Duplass is a loser, and I suppose we're even supposed to get impatient with him, but I also think we're meant to find him funny and charming, and I just didn't. Some people have a knack for being snide and sarcastic while still being winning, and some don't. Guess which camp Duplass falls in for me? My viewing experience of "True Adolescents" wasn't at all helped by the fact that the Netflix streaming version I saw screwed up somewhere toward the end so that the picture and the soundtrack were operating entirely independently of one another, so maybe it's not fair of me to judge the film too harshly. The cast includes Melissa Leo as Duplass's aunt, and makes me start to wonder if Leo, an actress I usually like very much, has decided that her best career move is to appear in absolutely any movie someone offers to her. Grade: B-

@latifaNov 22, 2022

On Saturday, March 14, I attended the World Premiere of "True Adolescents" at the 2009 SXSW Film Festival. As a journalist concentrating on independent films, my Holy Grail is what I like to call the "sweet little American indie." This is writer/director Craig Johnson's first feature and he's hit the mark.Sam (Mark Duplass) is a 30-something rocker who never quite grew out of his teenage years. He's unkempt, unfocused, and unsure of who he is or wants to be. In other words, he has a lot in common with his 14-year-old cousin Oliver (Bret Loehr) and friend Jake (Carr Thompson). When changing circumstances in Oliver's home life force the unlikely trio to head off on an unplanned camping trip together, they are forced to grow in ways they never imagined. "True Adolescents" is filled with twists and turns and "whoa" moments -- the kinds which are made more powerful by knowing as little about the film going in as possible. There is so much to love about this film. It has the look and feel of a true indie, using ambient sound and natural light when possible. Much of the film takes place outdoors and at night -- a challenging situation for photography -- and cinematographer Kat Westergaard makes the most of what nature offers her. Hand-held camera is used quite a bit, especially during scenes where the boys/men are traipsing through the wilderness of the gorgeous Washington State coastline. One can almost feel the chill as the sun goes down. Water always looks good on camera, and there is no denying a "Mean Creek" feel to the film. Duplass is quickly becoming one of our brightest young stars in the indie universe. As his aunt Sharon (Oliver's mom), Melissa Leo is as radiant and lovingly protective of her children as she was in her award-winning performance in "Frozen River." But, most of all, this is a coming-of-age film and (besides Sam himself) the experience of becoming an adult centers primarily on the two young actors Bret Loehr and Carr Thompson. Relative newcomers to the business, the boys were actually the ages of the characters they were portraying (14-15). How refreshing not to see a 20-something caked with stage makeup to look 16. The boys took risks, both emotional and physical, which would challenge actors twice their age. As a character-driven film, "True Adolescents"shines because of their natural talents, but the real impact of the film lies in Johnson's powerful script and its ability to resonate with viewers. This brilliantly crafted story is filled with images that will stay with you long after leaving the theater.

ابن الصحراءNov 22, 2022

First of all, this movie is an example how not to make a film. It absolutely lacks any story at all. You get a story like those you were writing in high school, not knowing how to end it and having no message to give. You keep watching and thinking what it's all about and what the point of this film is. Every time there's a glimpse of a meaning, it disappears right away. So you meet a middle-aged rock man Sam who pathetically forces himself to play cool and maybe he's supposed to be funny, but damn, he's not. His GF kicks him out of the house so he stays with his aunt. The aunt wants him to get a job but he's too cool for that, then he seems to feel guilty and he takes her son and his best friend to a camping trip to the middle of nowhere. Here's probably the only good point of this film - nice views. Generally when there's a trip involved in a film you suppose it should change something for the characters of the film, well, this one doesn't. There is no logic in the construction of the film, there are random scenes that have no continuation later on. You hope the guy will teach the kids something about the music, nope, they just stop at a motel and this bit ends. You hope the kids will learn something about their sexuality, nope, the bit ends with "Sorry I called you a fag". There is no message, nothing to hang on, the film ends up like there was no idea or money to finish it. I'm writing this because I'm angry I wasted my time on this. When I was a teenager and I was writing stories that had no point, I just burnt them or threw away after reading them. I wish the person who had made this film had done the same to the script. Really, try to watch some real good indie films first because in my opinion the makers of this one are like the main guy in this movie - forcing themselves to be cool while they are just pathetic. At least take some lessons from Xavier Dolan or Jonathan Caouette for example, if you want to limit yourself to North American film makers.

YungeNov 22, 2022

True Adolescents had its world premiere at the SXSW Film Festival in Austin, TX. It is a solid effort at exploring the efforts of a man in his mid-30s who hasn't quite grown up to bond with his teenage nephew and his buddy during a weekend camping outing. The characters are well-developed and the acting is solid. Mark Duplass's Sam is a failed musician who needs to figure out what he is doing with his life. His immaturity is finally challenged as he is forced to become the responsible adult. The story is entertaining if not spectacular. The acting is fairly good and the characters and their relationships to each other are well-developed. The ending sequence seems a little hokey. Although, the film probably won't get widely distributed, it is nevertheless a worthwhile effort.

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