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KomedyaTaon2018Tagal1h 32mIMDb4.8

Rosy

KomedyaRomansaThriller

A socially awkward young man kidnaps an aspiring actress with the hope that they will fall in love. A psychosexual noir that explores power dynamics between men and women.

Panoorin Ngayon

Trailer

Cast

Jess Bond

Director

Stacy Martin

Rosy

Johnny Knoxville

James

Nat Wolff

Doug

Alex Karpovsky

Marty

Adam David Thompson

Eddie

Chukwudi Iwuji

Manager

Anthony Thomas

Detective #1

Victor Verhaeghe

Detective #2

Tony Shalhoub

Doctor Godin

Karen Ludwig

Acting Teacher

CH

Christopher Hopkins-Ward

Acting Student

Matthew Sean Blumm

Nurse

Stephanie Weeks

Counselor

TF

Travis Fitzsimmons

Peter

Patricia Dunnock

Female Nurse

Michael Sharits

John

Jess Bond

Writer

Mga Komento

10 Mga Komento

adilessaJul 21, 2024

Abuzar KhanJul 16, 2024

Wan Soloist'Jul 16, 2024

zainab mortada 🦋Jul 16, 2024

KWvbeeJun 19, 2024

I think Stacey Martin is really good at acting and she is one of the most beautiful women in the world. I'd love to see more of her on the big screen. thank God for Stacey Martin. keep making the hits! we love watching you.

2yaposhMay 29, 2023

source: Rosy

user378722817270Nov 22, 2022

Was awesome! Had me in the edge of my seat. Nat was superb as always and Johnny was sleazy as usual.

⠀ＳＯＮＩＸ ♋️Nov 22, 2022

But the acting by Stacy Martin and Tony Shalhoub brought me up to a five. The editing with all the flash backs didn't help the plot and the script was horrible.

Saba’s KitchennNov 22, 2022

Well, this film has a lot going for it...and a lot going against it. In the plus category, the cast is excellent. Nat Wolff and Tony Shaloub (especially) are experienced and talented actors with impressive resumes. Stacy Martin, though a relative newcomer, is perhaps better than both in this film. And Johnny Knoxville is pitch-perfect in a small role. The direction is also solid. So what's wrong? Mainly--as is common in near-misses--the actors are let down by the plot. While all kinds of bizarre circumstances and events do occur in real life, the story seems to become more and more contrived as the movie progresses. You're left wondering how this story is going to play out. Is this a love story involving two very damaged people? Or the horror story that the events of the plot (i.e. A kidnapping) should suggest. For a while, it could go either way. And the feeling that the film is toying with the audience detracts from the emotion resonance of the film. Ultimately, that's the problem. The movie is interesting from the perspective of clinical psychology. We learn enough about the two main characters to know that their backgrounds are full of red flags. (Especially Wolff's character, Doug.) Neither had a healthy relationship with his or her parents--to say the least. In Rosy, that led to a series of unfulfilling and unhealthy sexual relationships and general aimlessness; in Doug, it led to...well...kidnapping Rosy. (And worse.) Students of psychology will see a case study in various aspects of Narcissism and psychopathy, and the relationships that characterize such people. It's sad; it's disastrous--but we all know that these things cannot possibly end well. So in that way, the movie is true to reality. But from a viewer's perspective, it would be more comfortable if there were some kind of redemption, or--on the other hand--if the film didn't trick us for so long into thinking redemption might be possible. Like Rosy, we end up feeling like we need a shower. But the interactions between Wolff and Martin work on some level for much of the film, which is a testament to their talent, and to the direction. Martin is also gorgeous, of course; but she also has an emotional warmth and range, generally, that keeps her from being a prop. (Far from it. She's the gravitational center of the movie.) I look forward to seeing what she does in The Serpent, and in future films. It's just a shame this script wasn't just a tad bit better. Or maybe just that humanity has such a dark and irredeemable side.

Sarah KarimNov 22, 2022

Really good watch, could watch again, and can recommend. This had the immediate potential to be great and they immediately down played it as something that happened instead of the proper plot of the story. This is all jumbled up "Pulp Fiction" style, but without big celebrities to make the parts seem more important. The (traditional) 1st act of the story is cut up and dispersed throughout the movie as if to slowly justify how she was put in this position in the first place which causes a very drawn out 2nd act of dealing with the situation, and what feels like a very rushed 3rd act of resolution. Thinking back on it, I don't even remember how it ended.....hold on...*rewatch ending*, oh yeah, I just didn't remember that as the end of the movie, probably because they cut back to a different scene afterward. I understand that they wanted to do something different, but they took a great concept and a really good execution and reduced to Really Good at best, and I'm sure there are people that don't care about the psychology of the characters or enough about writing to appreciate what the movie actually shows, but I think if you have an open mind, there is plenty to like about this one.

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