The stalker-woman thriller film has been done again and again and done well and done not so well but there is absolutely a class out there for it and sometimes they are even memorable! Single White Female feels like one of the matriarchs of this genre but you have Fear, Swimfan, The Hand That Rocks the Cradle, Fatal Attraction. Disclosure...I mean they are a dime a dozen but the ones I've seen are usually at least entertaining so I thought this was a surefire thing for an evening of scoffs and eye rolling but ultimately entertaining. To say they missed the mark on this is giving them too much credit. The story is fine but the characters are flat, the overacting is horrendous, the story is achingly predictable even for a genre film and despite potentially good cast members, they are not good in their roles. Everyone just seems to be going through the motions and it turns in one of the worst films I've seen in 2016.
Morris Chestnut can be a decent actor. I've never seen him do anything outstanding but this does nothing to build his career. He is boring, vapid, has zero chemistry with his two female co-leads and feels very out of place. I don't think he wanted in this anymore than we did. Regina Hall has a similar background but she too is not really a leading lady and this proves she can't carry a film on her own. But in her defence, the character she plays is downright horrible. She's a weak, spineless, blubbering moron who will let her husband do anything to get the baby she wants. The key to a great stalker-thriller is the role of the crazy person and it makes for an interesting performance when they're good at it. Jaz Sinclair doesn't even get top billing on IMDb are the crazy surrogate. She is way overacting the entire time, isn't the least bit threatening and no one can overpower her even when she's in the throws of labour. It's insane. There are a few familiar faces in the supporting cast and their performance and the look on their face will demonstrate how much they just wanted their paycheck.
I honestly don't know how this got made let alone released in theatres. It's straight to video at BEST and another reviewer suggested better left on Lifetime but even Lifetime knows what it does well at. Ironically director Jon Cassar is a fantastic Television director. He has a lot of talent but much like the cast he must have phoned this in or in editing the film was chopped to barely recognizable because it's bad...like really really bad. And in a crowded genre like this, there are modern day classics that are so much better worth spending the hour and a half on. This is utterly avoidable and hopefully completely forgettable. The ending is so unsatisfying that you can barely find anything here redeemable at all. 3/10
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