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ڈرامہسال1970دورانیہ1h 47mIMDb6.8

Joe

ڈرامہسنسنی خیز

Two men - a wealthy ad executive and a far-right factory worker - form a dangerous bond after the former confesses to the latter about murdering his daughter's drug-dealer boyfriend.

ابھی دیکھیں

ٹریلر

کاسٹ

John G. Avildsen

Director

Peter Boyle

Joe Curran

Dennis Patrick

Bill Compton

Susan Sarandon

Melissa Compton

Patrick McDermott

Frank Russo

Tim Lewis

Kid in Soda Shop

EO

Estelle Omens

Woman in Bargain Store

Bob O'Connell

Man in Bargain Store

Marlene Warfield

Bellevue Nurse

AC

Audrey Caire

Joan Compton

MC

Mary Case

Teeny Bopper

JP

Jenny Paine

Teeny Bopper

Reid Cruickshanks

American Bartender

RC

Rudy Churney

Man in Bar

K Callan

Mary Lou Curran

RE

Robert Emerick

TV Newscaster

GH

Gloria Hoye

Janine

BE

Bo Enivel

Sam in Bowling Alley

MO

Michael O'Neal

Bartender at Ginger Man

NW

Norman Wexler

Writer

تبصرے

9 تبصرے

Patricia MasialaMay 29, 2023

source: Joe

lady dadzieNov 18, 2022

Mr AMTNov 16, 2022

Joe

Zeus CollinsNov 16, 2022

Dennis Patrick plays a man who accidentally kills his daughter's boyfriend and then reveals his secret at a local bar. Joe (Peter Boyle), a bigot who is getting drunk there, at first takes it as a joke, but then the story is confirmed on the evening news. Instead of calling the cops or the like, Joe decides that, since the guy killed a hippie, they must be kindred spirits! He blackmails the man into becoming his pal. At first, the film seemed harsh and judgemental, but, as it revealed itself, it actually became quite a complex portrait of the current society. Yes, I think it does exaggerate a bit, but in amusing ways that don't really detract from the power of its messages. Susan Sarandon debuted in this film, and it's a shock to see how pretty she was around 23. Well worth seeing.

Tracy👑Nov 16, 2022

It's about a square ad executive (Dennis Patrick) who kills the drug dealer boyfriend of his junkie daughter (Susan Sarandon, her film debut). He strikes up a friendship with a bigoted factory worker (Peter Boyle) and the two decide to infiltrate the hippie world of lower East Side of New York. This is a gritty, sometimes funny look at hippie and drug culture. Peter Boyle is excellent as the loudmouth working stiff, being both funny and scary at the same time. The music is good too, an excellent song sung by Jerry Butler is played over the credits and there is a hilarious country tune dedicated to the Joe character. The film is not for everyone, if you are offended by foul language, racial slurs, nudity, drugs or violence, you should stay away. In fact, you should probably stay way from the 1970s if you are so offended.

DiarraNov 16, 2022

I was surprised by how emotionally invested I became in this film. Peter Boyle is a tour de force as the working class socially conservative bigot, Joe. I actually sympathized with some of his complaints. Of course he doesn't mention the underlying historical socio-economic reasons for many of his prejudices. The film also provides interesting insight into the rapid change American society was undergoing at this time. Recreational drugs, casual sex, and the challenging of parental authority became in vogue and replaced the more time honored traditions of respect for God, country and seniority. Susan Sarandon fans will be delighted. Joe is her film debut. She also provides viewers with a visual treat near the beginning of the film. Recommended, 8/10.

🇱🇾ٱڸالـ۾ــــــانێNov 16, 2022

John G. Avildsen directed Norman Wexler's inflammatory script about a middle-aged "square," who, after accidentally killing his daughter's pusher/lover, teams up with a bigoted blue collar nitwit (the title character played with a lot of bravado by Peter Boyle) with tragic results. They commiserate and find common ground in their intolerance of ANYTHING they're not: liberals; blacks; the young. A time-capsule of the early 1970s, this plays like an R-rated version of ALL IN THE FAMILY with Boyle playing Archie Bunker with guns. The acting is all first rate...not only by Boyle, but by Dennis Patrick, Susan Sarandon and, at least briefly, Patrick McDermott as one of the most unlikeable victims in movie history. A violent, unforgiving film. It's certainly unsettling but what is it telling us? It's OK to have junkies & pushers running rampant as long as they're peace-loving? It's become a classic.

☑️Nov 16, 2022

New Yorkers contemporaneous with this film will recall how reflective of its time it is and how well cast and crew captured America, New York City of that era. Norman Wexler's script delineates the different worlds the various sub groupings live in and Avildsen's direction brings out phenomenal performances all around. Peter Boyle's prodigious talent is on display as never before nor since. Clearly it is the best character portrayal the always likable Dennis Patrick ever accomplished. What I will always remember about JOE is the feeling of having been in a virtual state of shock coming out of the theater. Knowing that what the screen portrayed was seething under the surface in neighborhoods throughout the five boroughs of the City of New York. This film needs to be remembered.

Mhz AdelaideNov 16, 2022

"Joe" is one of those movies where, although you think that it might go along smoothly, ends up hitting you like...I can't come up with an analogy. It showed not only that America's long-standing idea of unity was moot, but also the various aspects within our society. Melissa Compton (Susan Sarandon) is the ultimate flower child, while her father Bill (Dennis Patrick) is a clean-cut executive. One day, Bill accidentally kills Melissa's boyfriend. In the immediate aftermath, Bill gets acquainted with Joe Curran (Peter Boyle), an ultra-right-wing, rabidly racist working stiff. As a result, the two of them end up associating more and more with the hippies, whom Bill finds unpleasant and Joe outright hates. But in the end, everything has dead serious consequences. True, some parts of the movie are a little bit dated, but it's a good juxtaposition of America's two sides during the Vietnam War. And rest assured, the residual effects of all that will probably never go away.

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