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अपराधवर्ष1950अवधि1h 14mIMDb4.9

The Gorbals Story

अपराधड्रामाFilm-Noir

A young artist is almost driven to murder as a result of the pressures of living in a Glasgow slum.

अभी देखें

ट्रेलर

कलाकार

DM

David MacKane

Director

HC

Howard Connell

Willie Mutrie

MT

Marjorie Thomson

Jean Mutrie

BH

Betty Henderson

Peggie Anderson

Roddy McMillan

Hector

Russell Hunter

Johnnie Martin

IC

Isobel Campbell

Nora Reilly

CW

Carl Williamson

Francis Porter

LL

Lothar Lewinsohn

Ahmed

ST

Sybil Thomson

Magdalene

EG

Evie Garratt

Mrs. Reilly

Jack Stewart

Peter Reilly

ID

Ian Dalgleish

Dr. Andrews

BC

Berta Cooper

Mrs. Andrews

Abe Barker

'Puddin'

Archie Duncan

Bull

Andrew Keir

Pub chucker-outer

DM

David MacKane

Writer

RM

Robert McLeish

Writer

आपको ये भी पसंद आ सकते हैं

टिप्पणियाँ

10 टिप्पणियाँ

Tdk Macassette Oct 16, 2023

JoeHattabMay 29, 2023

source: The Gorbals Story

Vanessa xuxe molonaMay 23, 2023

Very stagy and fairly artificial film version of a play of the same name. With the kitchen sink dramas still a good few years away - and I often wondered who was Scotland's answer to Arthur Seaton, Frank Machin and Jimmy Porter? - this was as cutting edge as social commentary was allowed to get. I'm not going to be too harsh here. Yes, everyone speaks with an Aberdeenshire accent; the tenements look like facsimiles, with none of the filth and grime; the pacing's slow and the acting is variable. However, it was good to see earlier roles from Russell Hunter, Andrew Keir and a couple of others. Some second unit photography of the Saltmarket, The Clyde and the dance halls captures the spirit of the times. In a couple of ironic twists, I wonder how this feature was received by the local on its release - The Gorbals had over twenty cinemas in the area back in those days, and it was shown back in 2015 in the Citizen Theatre. Moreover, the action (presumably) takes place a stone's throw from Crown Street, epicenter of the seminal Glasgow novel 'No Mean City'; there's an adaptation we're still waiting for nearly 90 years later!

Ndey Sallah FayeMay 23, 2023

Being a native Glaswegian, I had a natural curiosity in viewing this vintage movie adaptation of a famous Scottish novel of the 40's, which I will own up to not having read. The Gorbals is a housing district in the centre of Glasgow and was until more recent times considered a byword for extreme poverty and its attendant features of alcoholism, violence and crime. With an all-Scottish cast drawn from the Glasgow Unity Players, the hope was that this production would stay true to the tale and indeed to the underlying community they were seeking to portray, but sadly the film fails on many levels. It begins from the safe vantage point of a now successful Glasgow-born artist looking back on his tough upbringing, the moral point presumably being I suppose that it's possible to rise above your station and live a decent life. It's like the viewer is meant to draw solace from this aspiration, missing the point really that hundreds of people continued, certainly at that time, to live in slums on or beneath the breadline. I doubt many of the real-life inhabitants found their way out at all, never mind through art. So I didn't like the sugar-coated narrative, nor did I buy into the characterisations. No-one speaks as if they're from Glasgow, the vernacular sounds like you'd imagine the comic characters from The Sunday Post's The Broons or Oor Wullie strips to speak. Even as I accept that the broad Glasgow tongue would come over on screen as unintelligible to anyone not born there, still these strange accents came over as very anachronistic. Plus, it wasn't even filmed on location, instead being shot in a London studio. The situations are clichéd too, a wastrel husband almost wins the pools, there's a pub brawl and of course someone dies in their bed but there are a couple of other strands which perhaps in a different time and place, could have been developed further, one, a strong hint of domestic violence and possible rape and most unusually, an interracial romance between a young Pakistani man and a young Scots girl, which is most unfortunately despoiled by the use of casual racist terms which should stay buried in the past. I really wanted to like this and there are some notable actors in the cast who would go onto future success mostly in TV roles, like Roddy McMillan, Andrew Keir and Russell Hunter, but with unimaginative direction, stagy acting and lame dialogue, I never for a second believed I was watching a slice of Glasgow life circa 1950.

Marie France 🇫🇷May 23, 2023

Poor, desperate degraded. Someone pushed to the limit. Uncaring governments in an area that has had many those. Thatcher and her croanys and all the other Tories that messed with Scotlands poorest areas. No wonder they away from the UK who can blame. A good film with a good dialogue on the conditions at the time. Not much better now. Well worth a watch.

_j.mi______May 23, 2023

Excellent performance by isobel Campbell and truly wonderful and interesting dialogue

Johnny Garçon MbonziMay 23, 2023

A relentless tale of poverty driving people mad featuring the Glasgow Unity Players set almost entirely in a cheerless tenement that anticipates Bo Widerberg's 'Raven's End' just over a dozen years later. Both films make their bleak content tolerable by letting us know it all happened a long time ago, and 'The Gorbals Story' sugars it's pill by first showing us the young hero as a successful artist who eventually escaped this teeming hellhole; thus reassuring us that his story, at least, had a happy ending. Young leading actor Russell Hunter later became famous on TV as "Lonely" in 'Callan'. Other faces in supporting roles that later became familiar belong to a young Roddy McMillan, Archie Duncan and Andrew Keir.

Mother of memesMay 23, 2023

This film was recently shown on Talking Pictures TV.I didn't know they went in for foreign language films!Now I am sorry if I upset people in Scotland but because the actors were using thick Glasweigian accents this film was virtually unintelligible and I struggled to grasp what was happening.I suppose the best thing I can do is quote Quinlan"Life in the tournaments of a Glasgow slum area,where the vicissitudes of life almost drive a sensitive young man to murder.Eventually he escapes his environment and becomes an artist.Well-intentioned drama,execution of it is on the amateurish side".So now you know.No doubt a valuable record of a Scottish drama company.

Ruhi Arora JainMay 23, 2023

Although it will be of almost no interest to anyone, this piece of social realism based on a 1946 play by a left-wing Glasgow theatre group is still a curiosity. It's a shame that probably we'll never know why such a parochial drama by an unknown playwright was deemed worthy of filming. A lot of people live cheek by jowl in a tenement apartment. It seems likely that many of the cast (never heard of again) were repeating their stage roles. They're not awfully good and generally they speak nice drama school Scots rather than the raw Glaswegian we'd expect. There's a fair amount of theatrical make-up on show. The house-mates include an Indian (who appears to be played by a Jew with an accent that wanders too regularly into Welsh) and inevitably a struggling artist desperate to escape the Gorbals squalor. There's much talk of poverty but the drama only comes to life when an irate father finds his daughter sitting on the artist's lap. The mediocre writing is a very long way from Steinbeck or Miller. Apart from establishing shots, the entire film was shot at London's Merton Park Studios. This robs the film of any hope of realism.

Emily StefanusMay 23, 2023

THE GORBALS STORY is a cheap slice of social realism, shining a light on those living in poverty in one of Glasgow's most notorious slums. Seen today it's quite hard work to watch, purely because it's depressing more than anything else. The narrative feels long-winded despite the short running time and the events depicted are strictly pedestrian. The plots that take place fail to raise the interest and the film seems to be stuck in a humdrum place from which it never rises.

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