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DocumentaireAnnée1974Durée2h 15mIMDb7.8

Il était une fois Hollywood

DocumentaireFamilleMusical

Plusieurs stars de la MGM d'hier présentent leurs moments musicaux préférés des 50 ans d'histoire du studio.

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Bande-annonce

Casting

Jack Haley Jr.

Director

Fred Astaire

Self - Co-Host

Gene Kelly

Self - Co-Host

Gene Kelly

Self - Narrator

Bing Crosby

Self - Co-Host

Bing Crosby

Self - Narrator

Bing Crosby

Self - Clip from 'Going Hollywood'

Peter Lawford

Self - Co-Host

Peter Lawford

Self - Narrator - Clip from 1947 version of 'Good News'

Liza Minnelli

Self - Co-Host & Narrator

Donald O'Connor

Self - Co-Host

Donald O'Connor

Self - Narrator

Donald O'Connor

Self - Clip from 'Singin' in the Rain'

Debbie Reynolds

Self - Co-Host

Debbie Reynolds

Self - Narrator

Mickey Rooney

Self - Co-Host

Mickey Rooney

Self - Narrator

Frank Sinatra

Self - Co-Host

James Stewart

Self - Co-Host

Elizabeth Taylor

Self - Co-Hostess

Elizabeth Taylor

Self - Narrator

Elizabeth Taylor

Self - Clip from 'Cynthia'

June Allyson

Self - June Allyson

KA

Kay Armen

Self - Clip from 'Hit the Deck'

Ray Bolger

Self - 'Hunk'

Ray Bolger

Self - Chris Maule

Virginia Bruce

Self - Clip from 'The Great Ziegfeld'

Jack Buchanan

Self - Clip from 'The Band Wagon'

Leslie Caron

Self - Lise Bouvier

Leslie Caron

Self - Gigi

Carleton Carpenter

Self - Clip from 'Two Weeks with Love'

Jack Haley Jr.

Writer

Commentaires

10 commentaires

abdollah bellaMay 29, 2023

source: That's Entertainment!

♡May 23, 2023

This movie will thrill fans of the MGM musicals and can serve as a great introduction to musicals for those who have not yet discovered them. As noted in IMDb's "goofs" section, there are some biggies in this film. Most notable was Liza Minneli claiming that Jean Harlow was part of some failed deal to get Shirley Temple to do The Wizard of Oz. I cannot believe this wasn't caught in editing or fact checking. The Wizard of Oz was made in 1939. Harlow died in 1937. My other fault with this film is that I wish they had acknowledged that many of the dances were edited. For example: they only showed 5 minutes of the 18 minute An American In Paris ballet and it was a hack job of editing. They also seriously slashed the finale of the The Broadway Ballet from Singin' In The Rain and they didn't even show the most famous part of that dance (Cyd Charisse slinking all over Gene Kelly in that gorgeous green dress). But, I digress. This movie is a fantastic way to spend 2+ hours. Besides the dance highlights, there are the oddball dances. The oddest of all was Clark Gable hoofing and singing to Puttin' On The Ritz. There was also a 1929 Joan Crawford singing and dancing. I love seeing things that are so unexpected! My favorite non-dancing moment in the film occurred during the Debbie Reynolds segment. She talked about the famous 25th anniversary MGM lunch where all of the stars were present. I loved how the camera panned the the table to reveal Crawford, Gable, Astaire, Kelly, Hepburn, Sinatra, Barrymore, Tracy, etc. etc. My favorite dancing moment in the show is the Astaire/Kelly dance from Ziegfeld Follies. Again, this dance is horribly edited, but seeing those two dance together is pure magic. Since they did not dance together again until the sequel to this movie in 1976, seeing them together is a special treat.

Ruth AdingaMay 23, 2023

In a departure from my normal practice, I will not be awarding "That's Entertainment!"a mark out of ten. There seems little point in rating a film when ninety percent of it consists of clips taken from other films. This film is not a straightforward documentary history of the Hollywood musical. It was made by MGM as a celebration of MGM musicals, and studiously ignores anything made by that studio's rivals. Clips of song-and-dance numbers from some of those musicals are introduced by a number of the stars who appeared in them, such as Debbie Reynolds, Frank Sinatra and Mickey Rooney. This compilation was probably made because of the way the cinema was changing in the mid-seventies. Although the early part of the decade had seen two particularly fine examples in "Fiddler on the Roof" and "Cabaret", by 1974 the traditional cinema musical was on the decline. There was also a move away from shooting on sets towards shooting on location. Some of the introductory scenes are shot where the musicals themselves were filmed, on MGM's famous backlot which, by 1974, was starting to look very shabby and dilapidated. (It was to be demolished for redevelopment shortly afterwards). The first part of the film was not particularly interesting, largely because so many of the featured clips were taken from films which are now forgotten and even thirty-five years ago were probably little-known. I also wondered why so much attention was given to Esther Williams, who certainly looked good in a swimsuit but was a very limited actress and whose choreographed water-ballets must have looked hopelessly cheesy by the seventies. One thing that I did learn, however, is that the musical genre was so popular in the thirties and forties that many actors, who today would not be thought of as musical stars, were press-ganged into service, regardless of vocal talent (or the lack thereof). We therefore see clips of the likes of James Stewart, Elizabeth Taylor, Joan Crawford and Clark Gable performing in some very obscure old films. (Stewart and Taylor also serve as presenters). Of these, it is Gable who acquits himself with the greatest honour, but his musical career never took off, apparently because his fans felt that all that singing and dancing was a bit sissy and out of keeping with his he-man image. Things liven up in the second half of the film, because it now starts to concentrate on the really famous musicals for which MGM is still remembered today. The smug, self-congratulatory tone is still present, but the studio can be forgiven a little self-congratulation when it is talking about films as good as "Show Boat", "Seven Brides for "Seven Brothers", "An American in Paris" and "Singin' in the Rain". These last two, of course, both starred Gene Kelly, who also acts as a presenter. Kelly and Fred Astaire, with their very different styles of dancing, were often perceived as rivals, so it was a good idea to have Kelly present a tribute to Astaire and Astaire present one to Kelly. The most moving moment comes when Liza Minnelli presents a tribute to her mother, Judy Garland, who had died a few years earlier. "That's Entertainment!" was obviously popular, because it was followed two years later by "That's Entertainment II"". (There were to be two more similar compilations, "That's Dancing!" in the eighties and "That's Entertainment III" in the nineties). The appeal of films like this at the time was probably their nostalgia value for the older generation who could remember the original musicals. Today they seem more like a curiosity, albeit an entertaining one.

user9242932375372May 23, 2023

I got this for Christmas and I didn't really want it at all. But boy was I glad my parents bought it! I loved seeing the footage of magnificent musicals, some of which I had never seen before. It definitely opened my eyes to some great musicals I had never seen before!! I loved seeing all the classic stars present (especially Jimmy Stewart!). I can watch this over and over again and never tire of seeing the classic musicals of an era gone. It's a pity we will never capture the glamour of those years. I learnt about new musicals and the wonderful Eleanor Powell. It helped me increase my classic knowledge! Great fun for the whole family. One of my favourite movies.

user73912928967May 23, 2023

There is nothing in this film--or more accurately, documentary--that doesn't do *exactly* what the title promises. It's hard for it to fail, really, considering the material it's working with. THAT'S ENTERTAINMENT! sets out to be a joyous celebration of everything that was fun and sparkly and happy-making in the MGM musical, with the added bonus of having the stars (the BEST, brightest, eternal ones) that were there themselves telling us all about it. Well, it works. No two words about it. These clips of song-and-dance routines that will stay with us forever were made with one sole purpose--to entertain. And entertain they do. From 'Singin' In The Rain' through to 'Showboat', 'High Society', 'Seven Brides For Seven Brothers'... the film is a catalogue of the best and brightest of MGM musicals, and the stars. Fred Astaire and Gene Kelly deliver tributes to each other, Liza Minelli and Mickey Rooney talk about the magic that was Judy Garland, Donald O'Connor and Debbie Reynolds and Peter Lawford--with a lovely stint by Bing Crosby and a hilarious interlude by James Stewart--bring us through the decades singing and dancing. The clips picked were great, of course. How could you go wrong with segments dedicated to Astaire, Kelly and Garland? The clips were all perfect, with some rarer items popping up like Cary Grant singing 'Did I Remember?' and enough of the classic ones to make one feel like pulling out all the tapes and watching them through again. There are a couple of things that keep me from giving this documentary top marks. Firstly, a general complaint that really isn't quite fair: seeing these clips just don't compare to watching them in their original films and the proper contexts. I hope that people who watch this film as an introduction to movie musicals actually go out and rent them afterwards, because there really isn't anything more brilliant than SINGIN' IN THE RAIN or ON THE TOWN. Secondly: it would have been much more engaging if the actors invited to speak on the programme hadn't so evidently been reading off pre-written scripts. Some fared better than others, with Taylor being the spaced-out worst, and Stewart acquitting himself admirably with his trademark drawl and charm. Astaire and Kelly are both still immeasurably attractive onscreen, but even they can't quite pull off the image of camaraderie the words they speak impart to their previous relationship. (Not to say that they were rivals--the opposite extreme isn't true either. They were simply professionals, and acquaintances.) It'd have been just that much more fun if these legends had been allowed to speak off the cuff. All said, if you want to introduce someone to the magic that was the movie musical, there's really no need to go further than THAT'S ENTERTAINMENT!. It's a catalogue of stars and talent, song and dance, and extensive proof that we won't ever see the likes of all this again. More's the pity for those of us who weren't there when film history happened, all to the songs of Berlin and Gershwin and the toe-tapping of Astaire and Kelly...

Puneet MotwaniMay 23, 2023

This got big notice when it came out in the mid '70s. With the advent of VHS, you could provide the public with something like this: a collection of great song-and- dance scenes from classic films. In this edition (there were two more to come), we see highlights of MGM musicals from the 1920s through the 1960s. Most of them were the '30s through the '50s. MGM had many of the musical stars but not all, so you don't get Shirley Temple, Ruby Keeler, Dick Powell, Julie Andrews and others. However, you do get a ton of great performers like Fred Astaire, Judy Garland, Gene Kelly, Frank Sinatra, Mickey Rooney, Esther Williams and others. To use a cliché, this is a must-have for music fans. In addition to the above stars, who are remembered in some of their best scenes, you have the incredible sets of the Busby Berkeley movies. At over two hours, there is a lot of great material in here.

user1602663788623May 23, 2023

I have a feeling that I speak for much of my generation, maybe MOST of my generation, when I say that it's hard to take these old musicals seriously. Always happy-go-lucky, they set themselves up to get heckled. I did just that while watching "That's Entertainment!". If you've read my reviews of musicals, then you'll know that I watch them only so that I can throw out the sorts of comments that Mike, Servo and Crow hurl at the crummy movies sent them by Dr. Forrester and TV's Frank on "Mystery Science Theater 3000". Most of the time here, I just blurted out quotes from other movies ("Army of Darkness", "Monty Python and the Holy Grail", etc). Here's a few other things. I noticed that one movie contained a scene of people performing in blackface. "Show Boat" was little more than a whitewash of the Jim Crow south. I recognize the New York song from "On the Town" from the time that "The Simpsons" spoofed it: Bart and Milhouse OD on sugar from an entirely syrup-based Squishee, and sing about Springfield. And then there's "Over the Rainbow". Everyone remembers Judy Garland singing it, but lesser known is that the song's co-writer Yip Harburg later got blacklisted for holding socialist views. Anyway, my favorite movies from Hollywood's golden age are comedies, gangster flicks, and sci-fi/horror flicks*. Most of the movies here would be a lot more interesting if remade my the creators of "South Park". Or if presented by Elvira. *Speaking of horror flicks, "The Wizard of Oz" DID scare me when I was little: that scene where the woman turns into a witch in the tornado freaked me out. That movie and "Ghostbusters" are the only movies that authentically scared me.

yeabsiraMay 23, 2023

In 1974, to celebrate its 50th anniversary, Metro-Goldwyn-Mayor released That's Entertainment, a collection of clips from what are considered to be their greatest achievement in their long and illustrious history, the movie musical. As co-presenter and M-G-M alumni Frank Sinatra mentions in the first segment of the picture, "When it came to musicals, M-G-M, they were the champions" This is far from just a hollow boast when you consider the wealth of unquestionable evidence which is then provided to substantiate his claim. Sinatra shares the limelight with fellow M-G-M greats such as Elizabeth Taylor, Peter Lawford, James Stewart, Mickey Rooney, Gene Kelly, Donald O'Conner, Debbie Reynolds, Fred Astaire, Liza Minelli and a visiting dignitary from Paramount, Bing Crosby as they all present mini segments of the picture explaining just how and why M-G-M musicals had qualities their rivals could only ever dream of emulating. James Stewart's segment is fascinating to watch as he presents some long forgotten clips of well known dramatic actors (including himself) who were press-ganged into musicals, some with surprisingly good results. Robert Taylor, Robert Montgomery, Cary Grant and Clark Gable are all put through their musical paces for our viewing pleasure, and what a pleasure to watch it is. Mickey Rooney, follows up with a tribute to his close friend and frequent co-star Judy Garland and his tenure of the movie is crammed with clips from their many movies together including one or two Andy Hardy gems. This tribute to Garland is later fortified by her daughter Liza Minnelli as she offers her own personal and moving tribute. In my opinion however the highlight of the movies has to be Gene Kelly and Fred Astaire, who in effect, do a mutual 'back scratch' as each fill their own segments with statements and clips which modestly declare the other dancer the 'best in the business' Whether or not this was a reflection of their own true feeling's or just Hollywood cheesing it up is immaterial. It does nothing to detract from the pure genius both dancers poured onto the screen throughout their careers only a sample of which are presented to us here. Bing Crosby who spent most of M-G-M's golden age across the street at Paramount, all but rounds off the movie with various clips including a couple from his only two movies in the M-G-M's musical back catalogue before he hands the reins back to Sinatra for the final epilogue. These clips represent an era long since passed and it is indeed touching to see these screen giants of yesteryear gather together for the last time in what amounts to their final roar. This is made even more touching by the fact that so many of them have since passed on. We are indeed lucky to have their testament left behind on film, so that future generations like my own children who were born long after these gifted and talented performers had either died or retired, can look upon and aspire to their genius. Whether it is in black and white or colour, whether you're 8 or 80 you will find these clips as entertaining and as fresh today as they must have seemed at the time. Never has the title to a film been more appropriate and what's more you would be hard pushed to find anyone who would dispute it.

Asif PatelMay 23, 2023

This is a sentimental and enjoyable look back at the time when M-G-M was the premiere studio in Hollywood and had more stars than there are in the heaven. Famous musical numbers are presented by some of those legends including Fred Astaire, Elizabeth Taylor and Frank Sinatra. I just don't like the way they brag and flatter each other. Is it really necessary to tell the viewer how good they were? The audience should be able to judge for themselves. And the numbers are great, no doubt about it. Fred Astaire's tap dance with Eleanor Powell is awesome, Donald O'Connor's "Make'em laugh" is funny, Gene Kelly sings in the rain and Judy Garland sings over the rainbow. It's also fun to see dramatic actors like James Stewart, Clark Gable and Cary Grant sing and dance. That's entertainment! Rating: 4/5

قصي المغربي🇱🇾May 23, 2023

America was so high on nostalgia in the early 1970s that Roaring Twenties dances were being taught at Arthur Murray and even a remake of "The Great Gatsby" was pulling in viewers. MGM, on the verge of financial ruin (and about to liquidate its assets), finally found a way to turn a profit very cheaply: edit together sequences from their library of hit musicals into one splashy package. Lesser-known clips are dropped in to keep things curious, but most of the footage here includes musical centerpieces from classic films that many viewers in 1974 had only seen on the late show. Despite an editing job that is so smoothly-efficient it's practically lethargic, "That's Entertainment!" quickly became a movie-encyclopedia for film buffs interested in plumbing the past, although it isn't very useful today (what with cable channels like Turner Classic Movies showing these pictures in their entirety). Star-narrators turn up to put their own histories into perspective, but most of them look dazed or tired--especially Elizabeth Taylor (filmed through layers of gauze), Frank Sinatra (squinting in the sunlight), and Fred Astaire (who was actually on the verge of a career comeback at this time). Some enjoyment and razzle-dazzle, especially in the Esther Williams montage, but pointless to anyone who craves the satisfaction of creative output. Followed by two wan sequels in 1976 and 1994, and a second-cousin, "That's Dancing!", in 1985. ** from ****

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