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ShortTaon2020Tagal1hIMDb6.5

Nimic

ShortDramaPantasya

A professional cellist has an encounter with a stranger on the subway, which has unexpected and far-reaching ramifications on his life.

Panoorin Ngayon

Trailer

Cast

Yorgos Lanthimos

Director

Matt Dillon

Father

Daphne Patakia

Mimic

Susan Elle

Mother

Sara Lee

Daughter

EL

Eugena Lee

Daughter

RK

Rowan Kay

Son

Anvo Kyle

Boy on Subway

LC

Lizzi Ceniceros

Conductor

QI

Questo Iberoamericana

Chamber Orchestera

FM

Florencia Mariotti

Flower Seller

JR

Jeffrey Raines

Studio Teacher

Efthimis Filippou

Writer

Yorgos Lanthimos

Writer

DK

David Kolbusz

Writer

Mga Komento

10 Mga Komento

Rockstar🌟🌟⭐⭐Jul 24, 2024

Perhaps the greatest strength of 'Nimic (2019)' is its ambiguity, which keeps you pondering its meaning long after its credits have rolled. Though I felt as though I had a pretty solid grasp on what was actually happening as I watched it, a conversation with my brother soon led me to realise that even the aspects I took for granted as being 'canon' are actually rife for interpretation. Furthermore, the underlying "why" of it all is firmly out of reach; it's impossible to know if it's meant to act as an allegory for something or if it's simply designed to provoke thought regarding the themes and fears it touches on. It's an odd, unsettling and uncompromisingly enigmatic experience that gets under your skin without you really knowing why. It's calmly yet confidently constructed, with sleek cinematography and deadpan performances. It's a very dry affair and it certainly won't appeal to everyone, but - if you can get on its wavelength - it's a distinct and unnerving short that should keep you engaged throughout.

samrawit getenetJul 24, 2024

It was a fun 12 minutes, I have to admit. Nothing too spectacular, but nothing too bland either. I don't know this for sure but it has certain similarities to Zulawski's Possession; from the way certain scenes were framed, the camera angles and just the overall vibe.

🌹Rifi | ريفي🌹Jul 24, 2024

I couldn't stop thinking of "The house that Jack Built" while watching this short. The choice of music, Matt dillon himself who appears in both everything looked somehow familiar.

Aphie HarmonyJul 24, 2024

All you need to know about this short is... it's made by the man himself Yorgos Lanthimos.

🖤الفتاة الغامضة🖤Jul 24, 2024

Im going thru zizek right now and i thought about how female agression is often repressed and that off-putting vibe of her was her literally doing things the same way. The off-putting vibe about her was eye-contact, which has to do with the male gaze and thinking being looked-at is the passive role of the female, but not the active perpetrator.

Alex...UnusualJul 24, 2024

In no way what so ever did this make even the most rudimentary amount of sense to me. I found nothing about it to be entertaining... Just stupid and nonsensical to an annoying degree. There is not any semblance of explanation as to what the heck is going on or why. I was left questioning what I had just watched... I have no idea if it was supposed to be aliens or what. Also in complete shock at how high of a rating it has. Meh... To each their own I guess, but I personally wouldn't recommend it to anyone.

TangerinoJul 24, 2024

Works perfectly as a trial run for any potential Lanthimos convertee. In a short 12 minute span we find ourselves confused, laughing and then scared, in that order. It takes a while for the horror of the scenario to truly set it. To me, there's something so powerful in it's themes of self-deprecation and self-percieved inadequacy. I think a lot of people compare themselves to others, but here we see how truly scary that concept can be when taken to it's logical conclusion. For being a horror short it sure does end up being quite reassuring.

Puneet MotwaniJul 24, 2024

Robert LewandowskiJul 24, 2024

source: Nimic

Naeem doryaJul 24, 2024

While this movie undeniably showcases the signature surrealism we've come to expect from Yorgos Lanthimos, it might just be a bit too enigmatic for its own good. The film navigates the complex themes of identity and human relationships with a disconcerting flair but often leaves viewers grappling for solid ground. Matt Dillon's performance, though commendably intense, sometimes feels overshadowed by the movie's overindulgence in its own obscurity. The pacing, though aiming for unsettling, occasionally veers into the tedious. The visuals and score, while atmospheric, may come off as heavy-handed to those looking for a subtler narrative. Overall, this movie is a testament to Lanthimos' distinctive style, but its insistence on ambiguity may not sit well with all.

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