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CrimeYear1948Duration1h 30mIMDb7.0

Moonrise

CrimeDramaFilm-Noir

Danny is despised by his schoolmates because his father was accused of killing another man and sentenced to death.

Trailer

Cast

Frank Borzage

Director

Dane Clark

Danny Hawkins

Gail Russell

Gilly Johnson

Ethel Barrymore

Grandma

Allyn Joslyn

Sheriff Clem Otis

Rex Ingram

Mose

Harry Morgan

Billy Scripture

David Street

Ken Williams

Selena Royle

Aunt Jessie

Harry Carey Jr.

Jimmy Biff

Irving Bacon

Judd Jenkins

Lloyd Bridges

Jerry Sykes

Houseley Stevenson

Uncle Joe Jingle

Phil Brown

Elmer - Soda Jerk

Harry Cheshire

J.B. Sykes

Lila Leeds

Julie

Virginia Mullen

Miss Simpkins

Oliver Blake

Ed Conlon

Tom Fadden

Homer Blackstone

CF

Charles F. Haas

Writer

TS

Theodore Strauss

Writer

Comments

8 Comments

Cheri Ta StéphanieMay 29, 2023

source: Moonrise

Jonathan MorningstarMay 17, 2023

A CUP OF JK💜Nov 16, 2022

Moonrise

Ngwana modimo🌙🐄Nov 16, 2022

I agree with critic Dennis Schwartz, when he says The power of this film lies is in Borzage's "visual mise en scene." I honestly can't understand how and why Moonrise rated a measly 7.1 rating here. The story is engrossing, and the imagery, itself, has a powerfully beautiful impact on me. Beautiful and Sadly underrated film-thankfully Criterion recognizes this and put out a Fantastic restored version on Blu-ray! I Highly recommend it to any new viewers and to the rest of you naysayers, I think Moonrise deserves another look.... -todd gold

Dabboo RatnaniNov 16, 2022

I know there are those who hold this film to be a bona fide masterpiece. I wouldn't go that far. Many of its characterizations are hokey and it includes what might be the most troublingly nonchalant reference to sexual assault in all of cinema. Having said that, it is a memorable and unique picture. The opening scene is, admittedly, as aesthetically great as cinema gets. A luscious, mysterious credit sequence lays the groundwork for a series of dissolves between intricate shots, one more impressive than the other. It's not hyperbole to say that first scene is worthy of Wells or Tarkovsky. After that, the filmmaking comes down to earth, but there are other impressively shot scenes. The narrative is a strangely constructed anti-Noir that affirms humanity's difficult, perilous freedom. I wonder if Jean-Paul Sartre ever watched this movie. Bet he would have approved.

Indrajeet SinghNov 16, 2022

Dream-like dark film about a man driven to murder. Aside from the soundtrack and the lack of southern accents, this movie shines. A great b-movie with great visuals. Check out star Dane Clark goes eye to eye with a racoon, realizing they're both trapped with no escape. The film's not for everyone, but if you like b&w film noir you should dig this one up.

Alazar Pro EthiopiaNov 16, 2022

MOONRISE shines. Borzage brings expressionist silent movie technique to bear on what is really more a melodrama than a film noir, a tale of guilt and redemption ultimately close to his romantic concerns. The difference is the degree of psychological angst we have to go through with the protagonist in order to reach it. Borzage's technique brings us into the hero's mind, from the stunning opening (flashbacks within flashbacks) to the hero's guilty visions. That opening is one of the finest I've ever seen, building up an unbelievable pressure in the first couple of minutes of the picture, leading to a thirst for revenge which the hero, and the audience, can spend the rest of the film regretting.

Jonathan MorningstarNov 16, 2022

Although the story could have easily been adapted into a gritty film noir, director Frank Borzage turns it into a dreamlike, and even romantic, saga of guilt and expiation. The plot is simple and uncomplicated. No cynical, wisecracking dialogue; no hard-boiled detectives or double-crossing femme fatales. The small town setting with frequent rural scenes creates a world far removed from the unusual noir cityscape. The love story unfolds with both strong sexual attraction and delicacy. Imbued with a strong atmosphere and vision all its own, MOONRISE resists easy classification. Like THE NIGHT OF THE HUNTER, it succeeds in creating a drama of mythic resonance in an American rural setting.

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