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ڈرامہسال1978دورانیہ1h 59mIMDb6.9

Despair

ڈرامہتاریخ

In early-1930s Berlin, an elegant Russian émigré and eccentric chocolatier convinces himself that he has seen his doppelgänger, and hatches a murderous plan to trade his existence for an entirely new one. Will he get over the deep despair?

ابھی دیکھیں

ٹریلر

کاسٹ

Rainer Werner Fassbinder

Director

Dirk Bogarde

Herman

Andréa Ferréol

Lydia

Klaus Löwitsch

Felix

Volker Spengler

Ardalion

AM

Armin Meier

Silverman

AM

Armin Meier

Sergeant Brown

AM

Armin Meier

Foreman

Peter Kern

Müller

Adrian Hoven

Inspector Schelling

Alexander Allerson

Mayer

Hark Bohm

Doctor

Roger Fritz

Inspector Braun

Gottfried John

Perebrodov

YS

Y Sa Lo

Elsie

LP

Lilo Pempeit

Secretary Schmidt

Ingrid Caven

Hotel Manager

VG

Voli Geiler

1st Landlady

Isolde Barth

2nd Landlady

Bernhard Wicki

Orlovius

Harry Baer

Innkeeper

Tom Stoppard

Writer

Vladimir Nabokov

Writer

تبصرے

7 تبصرے

مالك_جمالNov 16, 2022

Despair

Bestemma Nov 16, 2022

Fassbinder turns Nabokov into a multi-level visually stimulating art piece that is challenging to the mind, and where mirrors play with dreams and reality, insanity and absurdity, and a complex geopolitical situation in Nazi Germany. turns Nabokov into a multi-level visually stimulating art piece that is challenging to the mind, and where mirrors play with dreams and reality, insanity and absurdity, and a complex geopolitical situation in Nazi Germany.

Amal Abass Abdel RedaNov 16, 2022

This movie is disturbing. The main character seems to be going a bit crazy. And the political climate of the country looks no better. We know that the war is coming, and will be terrifying. The people in this movie seem to have a strange hunch about all this terrible possibilities just around the corner. They probably feel there's no hope of stopping the process. They decide to get drunk. To enjoy the last days of a dying world. But the guy might not be going totally crazy after all. He has a plan.

منير رضاNov 16, 2022

For starters - I'd say that watching "Despair" was (amongst other things) a very, very, very despairing experience. Very. This 1978 German production was directed by Rainer Fassbinder. And - Let me tell ya - Had "Despair" been a Hollywood production, directed by an American film-maker - Then - You can bet that no one would be heaping praise on it like they are just because this one happens to be a foreign import. It's true. Set in Nazi Germany during the 1930s - I found "Despair" (for the most part) to be a really plodding and senseless mess. In other words - It was a typical "Fassbinder" film. Adapted for the screen from the novel written by Russian author, Vladimir Nabokov - This one's story may have worked well in book format - But, put into the incompetent hands of director, Fassbinder - It totally stank like the reeking stench of rotting sauerkraut. Yep. It really did.

Sho MadjoziNov 16, 2022

This was good enough to encourage me to read the original Nabokov novel but this Tom Stoppard adaptation as filmed by Fassbinder has real problems. Stoppard suggests that it had been his intention that although we would see Bogarde and his supposed doppelgänger as different, Bogarde's vision, within the film, would be of his own image. If that sounds complicated wait till you see the rather melodramatic screen version. Andrea Ferreol as the ample 'ever moist' child/woman is fantastic (even though it seems she was learning the language on set) but Bogarde is only competent in what is admittedly and almost impossible role(s). There is much going on here in the director's first big budget movie but I feel he should have kept things more simple and not got so carried away with the finer details and contradictions of the inherent absurdity and surreal elements so as to highlight the tragedy of 30s Germany. Interesting and always ambitious but ultimately flawed interpretation.

Swagg ManNov 16, 2022

What can I say -- watch the film. And don't read the other posters comments -- he didn't like the film, or even bother finishing it but felt compelled to make a list of pointless spoilers in his useless comments. This was Fassbinders shot at 'commercialism', which he failed at entirely (thankfully) but we are left with a thoughtful examination of the boundaries between self awareness and delusion. A metaphor for post war Germany? Who am I to be so pretentious ... Strong performances, provocative script, not a light romp but neither is it a heavy slog. CC

Camille TrinidadNov 16, 2022

It's hard for me to stay away from excessive use of superlatives when commenting on what I consider to be Fassbinder's masterpiece. Michael Ballhaus has filmed more than a dozen Fassbinder films, and Despair is a fine example of the value of their collaboration. Several images are stunningly memorable: the water dripping on the eggshells in the sink; the circular tracking shot through the glass walls of Hermann Hermann's office revealing him in his cage; and the auto-voyeurism of Hermann watching himself in bed with his voluptuous, vacant Frau. Doing justice to Nabokov's compelling dialog and canny character studies has been well done before in Kubrick's Lolita, but Tom Stoppard's rendition here was a perfect match for Fassbinder's (and Ballhaus's) visual feast. And if you are somehow not yet a fan of Dirk Bogarde, seeing his performance in Despair will surely make you as ardent an admirer of his work as I have become.

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