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ڈرامہسال1996دورانیہ1h 56mIMDb6.8

Angels and Insects

ڈرامہرومانی

In the 1800s a naturalist marries into a family of British country gentry.

ابھی دیکھیں

ٹریلر

کاسٹ

PH

Philip Haas

Director

Mark Rylance

William Adamson

Kristin Scott Thomas

Matty Crompton

Patsy Kensit

Eugenia Alabaster Adamson

Jeremy Kemp

Sir Harald Alabaster

Douglas Henshall

Edgar Alabaster

Annette Badland

Lady Alabaster

Chris Larkin

Robin

Anna Massey

Miss Mead

Saskia Wickham

Rowena Alabaster

LT

Lindsay Thomas

Lady Alabaster's Maid

MS

Michelle Sylvester

Margaret Alabaster

CL

Clare Lovell

Elaine Alabaster

JL

Jenny Lovell

Edith Alabaster

OH

Oona Haas

Alice Alabaster

AH

Angus Hodder

Guy Alabaster

MG

Margaret Golder

Nurse

Paul Ready

Tom

NG

Naomi Gudge

Martha

AB

A.S. Byatt

Writer

BH

Belinda Haas

Writer

PH

Philip Haas

Writer

تبصرے

10 تبصرے

𝒥𝑒𝓈𝓈♡Jun 15, 2025

A U.S.-British co-production for PBS, from A.S. Byatt's story "Morpho Eugenia" (a better title!), this head-scratcher of a human drama involves a Victorian England bug-specialist who comes to stay with a wealthy family and falls in love with his benefactor's lovely but unstable daughter. A carefully plotted picture, which might mean slow or sluggish--yet the film is never boring. Moments of eccentricity, romance and surrealism are blended together with skill, and the actresses in particular (Kristen Scott Thomas and the wonderfully brave Patsy Kensit) are first-rate. It's a difficult film, but one worth staying with. **1/2 from ****

Lady Keita 🇬🇲 ❤️Jul 16, 2024

JAWHARI 🪡🪡Jul 16, 2024

R_mas_patelMay 29, 2023

source: Angels and Insects

Mawa TraoreNov 18, 2022

C๏mfץNov 16, 2022

Angels and Insects

Nhyiraba Hajia AshlyNov 16, 2022

A fascinating and psychologically suffocating film based on a novella by A.S. Byatt. A doomed love affair and some serious family dysfunction provide the content for the story, and director Philip Haas ratchets up the sense of something rotting at the film's center to a high degree. Though all of the acting is fine, what I remember most about this film are the costumes, all designed to evoke insect imagery. The film deservedly won an Academy Award nomination for its costume design, and should have won, but the Academy decided to recognize "The English Patient's" assortment of Banana Republic outfits instead. Grade: B+

houssamelhadriNov 16, 2022

Kristin Scott Thomas gives an Oscar worthy performance full of nuances and subtleness in tune with a by gone Victorian era when nothing is outrightly spoken but always hinted at so unlike our lurid confessional age. Thomas can infuse a scene with a multiplicity of meaning through a movement of the wrist or a tilt of a head and trounces Emma Thompson's lauded performance of British reserve in "Remains of the Day". To appreciate this film you need an artist eye, others who dislike it would be better off getting whacked with a sledgehammer.

Puseletso Mokhant'soNov 16, 2022

Glossy costume drama that is inert for two thirds of the movie. A lot of this has to do with Mark Rylance speaking so softly and hesitantly that one wants to tell him to get on with it. But the main problem is that Patsy Kensit is way over her head with this one. The only time I thought she was really acting was when she panicked when she was getting covered with moths (and methinks that she was really panicking). Also, Kristin Scott Thomas' Matty, instead of coming across as a champion of liberated women everywhere was merely reduced to a know-it-all that I tired of pretty quickly. The film's only saving grace was the references to insects, which was rather interesting. Other than that, a rather boring historical picture with some shocking subject matter to make it relevant.

farhin patelNov 16, 2022

This movie presents a brilliant stage worthy level of acting to the screen. I was stunned by the quality and subtlety of the performances especially the lead and Kristin Thomas. The story is almost painfully slow but that helps create a mood and sexual tension that works perfectly. I was literally on the edge of my seat both with the drama of the characters and just wanting to be closer to their nuanced performances. Jeremy Kemp as the elder Lord of the manor Sir Harald Alabaster displays aristocratic intelligence rarely found in films. The dinner table discussions of the emergence of the radical new approaches to evolution and culture surrounding Darwin's revelations are compelling. Also the role of Edgar, representing the boorish son who clings to the old ways of class hierarchy is finely wrought. Highly recommended. A thoughtful film.

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