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كوميدياالسنة2011المدة1h 40mIMDb7.6

50/50

كوميديادرامارومانسي

آدم كاتب في البرامج الاذاعية، يعاني من مرض غريب ويشخص أنه نوع نادر من سرطان العمود الفقري، ولكن بمساعدة صديقه وأمه، ومعالج شاب في مركز السرطان، يتعلم آدم أهم الأشياء في حياته.

شاهد الآن

الإعلان الترويجي

طاقم العمل

Jonathan Levine

Director

Joseph Gordon-Levitt

Adam

Seth Rogen

Kyle

Anna Kendrick

Katherine

Bryce Dallas Howard

Rachael

Anjelica Huston

Diane

Serge Houde

Richard - Alzheimer Dad

Andrew Airlie

Dr. Ross

Matt Frewer

Mitch

Philip Baker Hall

Alan

Donna Yamamoto

Dr. Walderson

Sugar Lyn Beard

Susan

Yee Jee Tso

Dr. Lee

Sarah Smyth

Jenny

Peter Kelamis

Phil

Jessica Parker Kennedy

Jackie

Daniel Bacon

Dr. Phillips

P. Lynn Johnson

Bernie

Laura Bertram

Claire

Will Reiser

Writer

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للحب ألعاب نارية

التعليقات

10 تعليق

TIMAMar 13, 2026

user8543879994872Aug 25, 2025

Roots TubeMay 29, 2023

source: 50/50

user1888810312182May 23, 2023

I feel a bit guilty being a dissenting voice on 50/50, as it tackles such a serious subject matter, and a has a very likable lead character. But in the end, there just wasn't much substance to this piece, until the final few minutes, for me to really invest in it. Most of the material in the script is dealt with the slack, off-handed "Dude, remember the time you got cancer? Yeah, sucked, huh?" type of way. The film works so hard to not be serious or over-dramatic, that it winds up with almost no drama at all. When a serious moment does arise for the character, a pop tune is inserted into the soundtrack, to make sure we as the audience don't have to sit with the pain and confusion that the character is feeling. We can simply zone out for a bit, while we sway to the music. Now, I certainly wasn't expecting "Terms of Endearment", or a super-serious drama, but I also wasn't expecting the topic to be handled in such an incredibly frivolous, predictable, and frankly, sometimes boring manner. The film doesn't quite work as a drama, and even though there is a few genuinely funny moments, they are certainly not enough to sustain it as a comedy. The plot itself is fairly cliché and predictable. You'd have to have never watched a film before not to know just about every development that will come to pass; other than the eventual health outcome of the Levitt's character. But frankly, even that was tipped off to anyone who saw the weeks of promotion in the run-up to the film where Seth Rogan speaks about the film being based on a true story. What basically saves the film in the end is Joseph Gordon Levitt's likability factor, and a very strong performance by his mother, Angelica Houston, who unfortunately, didn't get more screen time. Had the film focused on that, it may have been stronger. Seth Rogan's character seems only to serve as a device for comic relief, to make sure we don't get too down. The last part of the film ends strong and hits all the emotional buttons (it would've made a great short), but the majority of the film is basically another arrested development story, with Rogan's character acting like the affable, 12-year old boy, providing his fair share of * and weed jokes, that we've grown to love...or at least tolerate. This was surprising, after I'd heard so much talk about how different this character was from all his others. I'm sure it was very difficult, especially in today's filmmaking environment, to get a film about cancer made. This is likely why the director and writers tried to lighten it up whenever possible. But one can only dilute a potent cocktail so much before it simply gets too watered down to drink. Unfortunately, I will likely remember very little about this film, except for the end, which was handled quite well. For me, it just wasn't enough to make up for the insignificance of the first hour and twenty minutes.

lorelaiMay 23, 2023

As a cancer survivor who who went through chemo and radiation for lung malignancy four years ago, I was really looking forward to seeing this movie. In addition, I think Joseph Gordon Leavitt is an awesome actor. There are some great performances in this film, as well as one or two very realistic scenes (the isolation/alienation, the very real moment where he loses it in the car and finally proclaims he's 'tired of of it all'), but that's about all I could identify with. Chemo is an incredibly powerful (and, as Melissa Ethridge puts it "barbaric") drug. The longer you're on it, the more cells it continues to destroy, and it basically slowly kills you. I saw the character sick after his first infusion, and then doing quite well throughout the rest of his illness. The opposite is true; you get worse, not more functional, and weaker. Your sex drive plummets, despite the character's desire to find women to hook up with (although I admit, when he finally did, things didn't exactly succeed), as well as your appetite, your sense of taste and smell. None of that was portrayed. Lastly, the tumor that he had on his spine did not shrink from the chemo and continued to metastasize, which is a concerning response; despite his surgery being semi-successful at the end, there was no mention of the high possibility that because of its size it had a high chance of continuing to spread. The film gave the viewer the impression that because they were able to remove it, he was "cured," which was definitely not necessarily the case. The other glaring inaccuracy in the film is a typical Hollywood one: the therapist begins a romantic relationship with his/her client. This is considered completely unethical and would result in the therapist losing her license as a result; so if this was based on a "true story," it's definitely been embellished for the screen. Seth Rogen and Anjelica Huston were, as always, terrific. But I'd really like to see a Hollywood film made that portrays cancer as it really is. This is definitely not it.

AlexiaVillmaMay 23, 2023

'50/50' is a film that I really wanted to like but ultimately it was a complete bore and I struggled to watch it all. Starring Joseph Gordon-Levitt and Seth Rogen, I had high hopes as I really like both the actors. I have nothing bad to say about their performances but throughout the film you just don't feel any emotional attachment to JGL and SR is kinda just there for cheap laughs (not really laugh out loud moments, just some things that'll make you smile). The plot is a delicate subject but doesn't really draw you in. There just isn't anything happening and I found myself looking at the clock (sign of a boring film). I certainly wouldn't class this as a comedy, it is just a drama that fails to deliver what it could have done. Overall I was disappointed and wouldn't recommend this film. Shame because I like the actors and the potential was there. 4/10.

Sakshi AdwaniMay 23, 2023

Adam (Joseph Gordon-Levitt) is a methodic twenty-seven year old writer of radio programs that lives together with his girlfriend Rachael (Bryce Dallas Howard) that is a painter. His best friend is Kyle (Seth Rogen) that does not like Rachael and Adam is estranged of his overprotective mother Diane (Anjelica Huston), who takes care of her husband Richard (Serge Houde) that has Alzheimer. When Adam feels a pain on his back, he goes to the doctor and is diagnosed of spinal cancer. He researches in Internet and he sees that his odds are 50% of healing. He goes to chemotherapy and is helped by the twenty-four year-old therapist Katherine (Anna Kendrick). Along the treatment, Adam finds that Rachael cheats on him and he discovers how loyal Kyle is. Further, he realizes how much his mother loves him and he finds true love. "50/50" is an uplifting teen drama with a story that combines comedy with a superficial drama and romance. Joseph Gordon-Levitt and Seth Rogen show a good chemistry and are responsible for funny moments. Anna Kendrick is never convincing as an inexperienced therapist. Donna Yamamoto has a minor but impressive performance in the role of Dr. Walderson. My vote is six. Title (Brazil): "50%"

eliMay 23, 2023

I thought this movie was pretty good; I laughed, I (didn't cry, but thought about crying), for the most part it handled its topic realistically and maturely. BUT there were three things I didn't like in this film: 1. The main character's dad having Alzheimer's. Great idea, and an opportunity for comparing and contrasting ailments, but it's totally undeveloped in the story and leads nowhere and is just distracting. 2. The girlfriend. She's first handled realistically, then out of nowhere becomes a huge jerk. It's okay that she's a jerk, and it's okay that she doesn't want to go to treatments with the main character: she's only human. But then she goes from a round to flat character and the butt of jokes. She wasn't given any room to develop: she became something to move the plot along, and nothing more. 3. The ending. No, I'm not going to complain there's a happy ending: I'm very glad there's a happy ending, that's fine. But tagging on a "love story" makes the whole cancer seem like a quest-narrative, a journey that our hero must triumph over to reach his one-true-love. In essence, it's equating cancer as a "character building" experience, and the hero has won his prize in a girl. That's a little simplifying. I've never had cancer but people in my family have and some have died and from what I can see cancer sucks. It ruins your life and everybody around you, it's slow, it's painful, it's a horrible way to die. It's not something you laugh off. It changes you. It's not something you go through and then at the end you wipe your brow and say "Whew! Glad that's over!" You worry it will come back. You've been through this painful experience that wasn't caused by anything you did, that you didn't ask for. It just happened to you, and it changes you. I'm not saying I'm not glad the main character is happy and alive at the end, I'm just saying it's a little Hollywood magic that he ends up with his shrink (the only person that truly understands him?) after going through this traumatic event. It equates being in a relationship as the prize won for "winning" the game of cancer. There's no winners of cancer, only survivors. Validating cancer as an enriching experience and manufacturing a reward for winning it is what makes this otherwise vibrant movie both stale and oddly preachy.

Usha UppretiMay 23, 2023

After playing a bad boy rocker with a full head of hair, Joseph Gordon-Levitt now plays a nervous Cancer-patient with no hair at all. 50/50 is loosely based on the story of Will Reiser, who wrote this film, and is telling us his story and struggle through the character Adam. Adam is played by Levitt, a marvelous actor who is continuing his string of quirky, yet well made independent films where he plays an off-the-wall protagonist. Adam is twenty-seven and works for a Seattle radio company. He is informed that he has a rare form of Cancer called Neurofibrosarcoma, and is told he only has a 50% chance of living with it. Frustrated, but moving day by day in a seemingly calm manner with his buddy Kyle (Rogen), Adam continues his long journey only to be bothered by his annoying, self-centered girlfriend (Howard) frequently. Through thick and thin, Adam starts to cope with his disease and manages to stay calm for most of the picture. We all have to die at one point. It's part of the life. But I can't imagine the sadness and calamity brought upon someone who finds out they have a rare form of Cancer and that their chances of living are fifty-fifty. At twenty-seven nonetheless. My mother, who has work in a Chemotherapy unit for about a decade, said that the youngest she has even seen someone die from Cancer is two and a half years old. Some people, hardly get to experience life at firsthand because of Cancer. There are so many forms of Cancer, rare and common, harmless and not, that your chances of getting it are very high. Getting it is at random, but coping with it is even harder. While 50/50 has a heartbreaking, and is sometimes emotion-testing and tear-jerking, it still has a strong comedic relief thanks to Seth Rogen, who is rather unfairly bashed in a majority of his films. The acting is superb by both leads, the parents of Adam played by Angelica Houston and Serge Houde are portrayed effectively and in a loving way, and the screenplay and Johnathan Levine's direction never fails or works against this film in any way. Three years prior he was creating good chemistry between Ben Kingsley and Josh Peck in The Wackness. Now, he's finally mastered in creating two characters that do nothing but sparkle when on screen together. You can't really call this a Seth Rogen film because while his comedy is here, his underlying sweetness shows through the cloth of this film more than it has ever done before. The last time he gave a performance this well done was in Sandler's Funny People. Thanks to a wonderful third act in terms of direction and screenplay, you get an all out emotional breakdown from the characters and yourself. 50/50 has a way with making emotional moments not seemed contrived, but welcomed. I think out of everyone in the theater, my mom was more emotional than the average person in the general public which is understandable. Many films have come out this year, and many have been ignored. Comedies and dramas alike have been swept under the bus with other blockbusters in theaters at the same time. I plan on doing a list of the top ignored and underrated films of 2011. I hope 50/50 doesn't make that list. Starring: Joesph Gordon-Levitt, Seth Rogen, Bryce Dallas-Howard, Angelica Houston, and Serge Houde. Directed by: Johnathan Levine.

Lerato MolofiMay 23, 2023

How does a filmmaker combine humor and drama in a story about a 27 year old man diagnosed with cancer? Easy: Just give them equal measure with the title 50/50 -- light treatment of a dark subject. Adam (Joseph Gordon-Levitt) has to deal not only with his own emotions when he is diagnosed, but also those of a close friend, Kyle (Seth Rogen), an inveterate partier and ribald quipper, and his chronically worrisome mother (Anjelica Huston). Losing his girlfriend, Rachael (Bryce Dallas Howard) along the way adds to the potential downbeat. Yet director Jonathan Levine and writer Will Reiser keep it all as upbeat as possible, not in small part due to Rogen's constantly funny chatter, which comes at just the right times as the plot gets heavy with cancer surviving techniques (the film turns out to show the way to battle: with humor). Of course, Rogen has had training playing a similar role in Funny People with Adam Sandler. No one plays a weed-smoking buddy better than he. Gordon-Levitt is also an actor who can just about better than anyone else play the soulful, endearing, slow-moving romantic as he did in (500) Days. As a cancer victim, he engages the audience in observation of a vulnerable hero, who fights with a serenity and equanimity that could be a model for those wishing to survive and those who wish to help. 50/50 is a comedy with compassion, a distant cousin to the prevalent bromances that rarely treat the support men give each other in times of real danger. Usually it's vacuous women who supply that danger and significant support. Hooray for the men this time.

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