KomediTahun1952Durasi1h 35mIMDb7.4

The Importance of Being Earnest

Name: The Importance of Being Earnest
Genre: Komedi,Drama
Released: 1952-08-15
Rating: 7.4

KomediDrama

After Algernon discovers that his friend Ernest, has created a fictional brother for whenever he needs a reason to escape dull country life, Algernon poses as the brother, resulting in ever-increasing confusion.

Tonton Sekarang

Trailer

Pemeran

Anthony Asquith

Director

Michael Redgrave

Ernest Worthing

Richard Wattis

Seton

Michael Denison

Algernon Moncrieff

Joan Greenwood

Gwendolen Fairfax

Dorothy Tutin

Cecily Cardew

Edith Evans

Lady Augusta Bracknell

Margaret Rutherford

Miss Laetitia Prism

Miles Malleson

Canon Chasuble

Walter Hudd

Lane

Aubrey Mather

Merriman

Ivor Barnard

Train Guard

Oscar Wilde

Writer

Anthony Asquith

Writer

Komentar

8 Komentar

nandi_madidaMay 29, 2023

source: The Importance of Being Earnest

Usha UppretiNov 18, 2022

_j.mi______Nov 16, 2022

The Importance of Being Earnest

EL'CHAPO CAÏPHL 🇨🇮Nov 16, 2022

An hour and a half of sheer delightful Wildean wit and word play. Lush Technicolor, brilliant acting. Edith Evans steals the show by going over the top by carrying her 19th century style of stage acting just as far as it can go, i.e., to the point of parody. I haven't yet seen the 2002 version, but i don't see how it can compare.

Marcel_2boyzNov 16, 2022

The most recent version of The Importance of Being Ernest changed the script! Whoever thought that they could write better than Wilde was sorely mistaken. This version, however, is superb! Not only is the full text in tact, but Sir Michael Redgrave, known for his serious Shakespeare stage performances, shows how farce is best done when done "seriously". I love this version, and am ecstatic that it is now available on DVD. BRAVO!

slaaykayNov 16, 2022

I watched this film adaptation (and Oliver Parker's 2002 version as well) of Oscar Wilde's classic play The Importance of Being Earnest to complement my study of it for a 19th century English drama course. First I want to say, no matter what version(s) you choose to see, I strongly suggest you read the play first (its not that long). In some cases, the casting in the later film (specifically Reese Witherspoon as Cecily and Rupert Everett as Algy), made fifty(!) years later to be exact, seemed more appropriate but in my opinion Asquith's version captured the spirit of the text more succinctly. I must also say as well, however that since Asquith's version is essentially a staged play, there is little in the form of visual dynamism from the camera; in other words the film rests almost entirely on the strength of the performances. Happily, they do not disappoint.

chrisNov 16, 2022

I haven't yet seen the 2002 theatrical film version of Wilde's classic, perhaps because I can't see how anyone, not even Judi Dench, could improve upon Dame Edith Evans's immortal portrayal of that deathless battle-axe, Lady Bracknell. And then there's Margaret Rutherford and Miles Malleson wittily playing characters that fitted them to a "T." Not to mention the unctuously delicious Joan Greenwood, whose line readings caress one's ears like the aural equivalent of a framboise liqueur. Dorothy Tutin was a perfect wise-for-her-young-years ingenue. But the men, in my view, were merely serviceable, with Michael Denison, especially, somewhat of an annoyance. The Technicolor mounting, deliberately stagey, was eye candy of the best sort, like an extravagantly decorated old-fashioned box containing the sort of confections one would savor to the very last morsel. Great fun!

Bearded ChefNov 16, 2022

Oscar Wilde's most famous play is given an extremely stage-bound reading in this colour adaptation by Anthony Asquith. It evens starts and ends with the raising and lowering of a theatre curtain! That aside this is probably the essential Wilde movie not only do we get the main four role perfectly cast (Michael Redgrave as Jack, Michael Denison as Algy, Dorothy Tutin as Cecily, Joan Greenwood as Gwendolen), we also have two of the most delightfully eccentric portrayals in the history of cinema with Margaret Rutherford as Miss Prism, and, of course, Edith Evans as Lady Bracknell. Who could resist the way Dame Edith says a handbag!' A hugely enjoyable movie which makes sure none of the wit is lost in unnecessary padding or setting something the makers of the recent remake could learn from.

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