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ComédieAnnée1952Durée1h 19mIMDb5.5

Young Wives' Tale

ComédieRomance

A post-war housing crisis leaves a shy woman to share a house with two couples. Comic situations arise as the new lodger becomes infatuated with one of the husbands.

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Bande-annonce

Casting

HC

Henry Cass

Director

Joan Greenwood

Sabina Pennant

Nigel Patrick

Rodney Pennant

Helen Cherry

Mary Banning

Derek Farr

Bruce Banning

Guy Middleton

Victor Manifold

Audrey Hepburn

Eve Lester

Athene Seyler

Nanny Gallop

Fabia Drake

Nanny Blott

AD

Anthony Deamer

Valentine

Selma Vaz Dias

Ayah

Irene Handl

Nanny

Victor Harrington

Man in Pub

Carole James

Elizabeth

JM

Jack McNaughton

Cab Driver

Brian Oulton

Man in Pub

MS

Mavis Sage

Young Girl

Joan Sanderson

Nurse

AB

Anne Burnaby

Writer

RJ

Ronald Jeans

Writer

Commentaires

10 commentaires

Derisse Ondo♥️May 29, 2023

source: Young Wives' Tale

fionaMay 23, 2023

Sabina (Joan Greenwood) and Mary (Helen Cherry) are both married sisters who also have a child each of a similar age. Sabina is a former actress now a young housewife married to writer Rodney. Meanwhile both Mary and her sedate husband Bruce go out to work. It leaves Sabina to look after the house and cook for them all. There is a nanny that cares for the children but she leaves when Bruce is rude to her. To remedy the situation, Mary quickly finds a replacement and this time they pass both the kids off as siblings. Later for some unfathomable reason. Sabina ends up kissing two men, one of them being Bruce. This annoys both Mary and Rodney who ends up kissing lovelorn lodger Eve (Audrey Hepburn.) This is a middle class farce that is not funny and very much of its time. It is very sedate probably due to the censorship laws of the time. I had no idea why Sabina ended up kissing the other men and I expected both Mary and Rodney to be enraged. There was no social commentary here. The house was spacious when it was meant to demonstrate the post war housing crisis. Sabina was not much of a housewife, unable to cook for four adults when she had a nanny to mind the kids.

user9416103087202May 23, 2023

This damaged film was probably only recovered because it has a young Audrey Hepburn, way down the credits list. There are quite a few missing frames after 00:35. The film itself, adapted from a wordy radio play, is a domestic farce-drama with two middle class couples living in a supposedly crowded but seemingly spacious house in the suburbs during the postwar housing shortage. No doubt on the wireless - for which it was originally written - it could have sounded suitably claustrophobic and drab. However the cinema was about fantasy, and the producers decided to set in the film in what would have been considered at the time fabulous middle class luxury. No attempt was made to adapt it for that change. They look for a nanny - even though one of the women has no job and could presumably look after two children - and this and an absolute rotter in an Austin Atlantic lead to a dreadful situation. Product placement - Lux soap flakes.

Chocolate2694May 23, 2023

If you enjoy spending time with a bunch of irritating, childish characters who spend their entire time squabbling and shouting ( usually accompanied by the loud wails of a crying child) you'll love this one. If you don't ???....... avoid it like the plague! The only reason to watch it is to see Audrey Hepburn's. First featured role. It's not a big part but,. Her Star quality is obvious to all. You can see why, just over two years later, she had an Oscar on her shelf.

ange❤❤❤😍May 23, 2023

This is a movie version of one of those brittle post-war stage farces, originally written by Ronald Jeans. Given then-current housing shortages, two couples -- Joan Greenwood & Nigel Patrick; Derek Farr & Helen Cherry -- are sharing a house. Each has one toddler, and only Miss Greenwood as dogsbody for the menage. Given her super-posh accent, she is an absolute flub at it, but she does get to show some athleticism as she leaps from one disaster to the next. When Miss Cherry locates a decent nanny for the children in the person of Athene Seyler, everyone thinks for a moment that the situation is saved, but for the purposes of the plot, they tell her the children are siblings, and she believes Miss Greenwood is married to Mr. Farr. The usual comedy of misconstruction ensues, carried on by speed and the abilities of the cast. Alas, the effort never quite opens up beyond its stage origins. Movie fans will want to see this for a sizable supporting role by Audrey Hepburn. She plays a young woman who has a room in the house and whose salient quality is she is terrified of men. Although her character connects loosely with the plot at several points, I had the distinct impression that at some stage of the movie's origins -- perhaps before the play actually opened -- the role was actually much larger. Now it is largely vestigial, even if it is the main reason the movie is remembered.

SYNTICHE JISCAMay 23, 2023

During a housing crisis in post-war Britain couples shared accommodations and often times problems arose. This 'comedy' was meant to parody situations of that nature, adding mild slapstick and rapid fire one-liners. It failed miserably back then and on viewing it recently, seemed like a pointless sketch of people wasting their time. While the British are responsible for some fine films, they also made some very bad ones (often referred to as 'B' movies). No wonder so many up and coming British actors migrated to Hollywood. Critics, at the time had no mercy on Director Henry Cass for this one. The sophisticated, lovely Joan Greenwood and Nigel Patrick are the young couple the Pennants, and Derek Farr and Helen Cherry, the Bannings, living together in a house with a single female roomer (Audrey Hepburn). Although IMDb's plot summary says the story centers around the young roomer's (Hepburn) infatuation with one of the husbands, it actually centers around one of the wives (Ms Greenwood, who gives a spirited, but sometimes annoying performance). From there comes a series of small situations that, for the most part are pretty lame and not very funny (at least by today's standards,and the critics back then, if you were to believe them, didn't find it funny either).It was better than some of television's new sitcoms however. It was reported by one of Ms Hepburn's biographers that Henry Cass was the only director in her entire career that 'she did not like working with'. Indeed, Cass was referred to as the 'tyrannical director', often finding actors to pick on for whatever reason. He chose Audrey as his whipping boy, and she only got through the making of this film under the protection of Ms Greenwood and Mr Patrick. Despite all the hell Cass was giving her, she still managed to show a hint of her screen appeal, and natural acting ability. She lit up the screen every time she appeared, and for that reason alone I gave the film a 6 star rating. Of course, you'd have to be a Hepburn fan to truly appreciate this film. It came out in 1951, but was re-released in 1954 to capitalize on Audrey's success with 'Roman Holiday'. I got my VHS copy from a film collector who was cleaning out his 'attic'. I would watch it again for the historic aspect of it. and because Miss Hepburn's speaking part is extended past those earlier walk-in roles she did. Overall, worth a watch if you can find a copy, and for me, this is a keeper.

Freda LumangaMay 23, 2023

This is one of those mediocre British farces from the early 1950s were every one rushes around talking as loudly as they can in the hope that the volume of their speech will make up for the paucity of wit contained in the script.The leading pair are Nigel Patrick in an unusual domestic role,for him anyway,and the delectable Joan Greenwood,who had recently starred magnificently in Kind Hearts and Coronets.Supporting them adequately are Helen Cherry,Guy Middleton and Athene Seyler.However the main matter of note is the featuring of Audrey Hepburn who would not long be constrained by her contract with Associated British picture Corporation.I doubt that she remembered this film with any fondness.

RITESH KUMAR✔️May 23, 2023

I bumped up the user rating on this film to 8/10 as I was disappointed to see it rated so low at 5.2/10.This 1951 film is mainly acted out on one set - a suburban house - so I suspect it was again another filmed stage play.The plot concerns the marriage teething problems of two couples who share the same house, Joan Greenwood (Sabina Pennant), Nigel Patrick (Rodney Pennant) and Helen Cherry ((Mary Banning - Sabina's elder career minded sister), Derek Farr (Bruce Banning). After WWII in Britain many married couples had to live with their parents (or in-laws) as mortgages for owner occupied properties were very difficult to obtain then.Many houses had been blitzed and the Government started a "prefab" scheme to rehouse poorer occupants.I was born in 1946 and was therefore 5 years old when this was filmed but I can empathise with the post war economic problems having lived then as a child. The main problem for ex-actress Joan Greenwood (mother to a 2 1/2 year old son) is to find a reliable nanny after the first one (Fabia Drake) leaves "in a huff".Likewise career mother, Helen Cherry, is mother to a young 2 year old daughter.As Sabina is getting stressed out coping with all the housework (laundry/food preparation/child care etc.), her sister finds a veritable treasure replacement nanny (Athene Seyler) whom she finds in the park.Due to a silly misunderstanding concerning morality with the nanny, the couples have to pretend to be married to each other. The farce is further complicated by the addition of two friends who regularly pop into the house, Guy Middleton, (Victor Manifold), who is close to Sabina and a 22 year old Audrey Hepburn (Eve Lester), who is close to Rodney.Of course there are pretend affairs, rows, reconciliations in true farce style.The acting is professional rep. standard.This was the first time I had seen this film and I enjoyed it immensely.

Danny WilsonMay 23, 2023

I love this comedy and have watched it umpteen times. I haven't seen it for a while so the details of the plot escape me, but they don't really matter. What is so good about it is the unselfconscious depiction of London picking itself up after World War II, and the relaxed comedy style of the actors, most of whom will be familiar faces to anyone who watched British TV in the '70s too. Joan Greenwood is a dream as usual - watch out for the vault over the sofa - as a young housewife feeling ever so slightly bored with staying at home and the continuing hardships of the period - and where else could you see Athene Seyler, Fabia Drake and Irene Handl all together? Last and far from least there is a charming appearance from Audrey Hepburn in her fifth film. The men are good but this is really a treasury of female performances. It's all very light and stylish without being over-glamorous, very refreshing. Also, for serious buffs, the cinematographer was the great Erwin Hillier who worked with F.W. Murnau on 'Tabu', with Fritz Lang on 'M', and with Powell and Pressburger on 'A Canterbury Tale' and 'I Know Where I'm Going', and many other major movies.

EMPRESZ_CHAM May 20, 2023

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