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DrameAnnée1966Durée1h 23mIMDb5.7

Toute la ville est coupable

DrameWestern

The townsfolk are set on lynching an accused killer held in the town lockup. But US Marshal Johnny Reno stands in their way.

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Bande-annonce

Casting

RS

R.G. Springsteen

Director

Dana Andrews

Johnny Reno

Jane Russell

Nona Williams

Lon Chaney Jr.

Sheriff Hodges

John Agar

Ed Tomkins

Lyle Bettger

Jess Yates

Tom Drake

Joe Conners

Richard Arlen

Ned Duggan

Robert Lowery

Jake Reed

TO

Tracy Olsen

Marie Yates

Regis Parton

Bartender

Rodd Redwing

Indian Brave

Charles Horvath

Wooster

Dale Van Sickel

Ab Conners

PD

Paul Daniel

Indian Chief

Chuck Hicks

Bellows

Edmund Cobb

Townsman

Nick Borgani

Townsman

JD

Jaye Durkus

Townsman

SF

Steve Fisher

Writer

AC

Andrew Craddock

Writer

Commentaires

10 commentaires

Faiiamfine OfficialMay 25, 2023

SurenMay 23, 2023

The most unusual and interesting line here is the fact that everything begins by a mistake; the two guys shoot at the sheriff because they thought he was after them. And then the problems begin for every one. One more time in a western, you have the picture of a small town community, hostile to strangers and always in a hurry to lynch for the least reason. It is tense, well done and I expected worse from that Lyles Productions, specialized in recycling old timers, has been actors and actresses. I was lucky to purchase a 2.35 ( letterbox) copy and that is one good reason to watch it. Dana Andrews is not the LAURA lead character but convincing enough for me.

VPMay 23, 2023

A Federal marshal (Dana Andrews) rides into Stone Junction with a prisoner (Tom Drake) whom the mayor wants lynched (Lyle Bettger), but he discerns that the mayor's minions are too gung ho and his captive may be innocent. Jane Russell plays his romantic interest while Lon Chaney Jr. Is on hand as the sheriff. "Johnny Reno" (1966) is an A. C. Lyles Western, who produced over a dozen 'B' Westerns in the mid-60s, which all featured past-their-prime actors and shot in 10-14 days. The teams Lyles gathered always knew what they were doing and did it competently and efficiently, albeit with little artistic merit and just a notch above a TV movie. His Westerns worked well enough if you're in the mood for traditional town-bound Western with maybe a couple scenes shot in the nearby wilderness of Southern Cal. Speaking of locations, while the events take place in Kansas, the sites clearly look like the Southwest. If you can ignore this glaring issue, the story is relatively absorbing and moves right along. Someone complained about the marshal's hat, but I didn't see the problem. It's not like James Caan's amusing hat in the contemporaneous "El Dorado." Men wore different hats in the Old West according to personal taste and Dana's marshal looks fine. Jane of course stands out on the feminine front, 25 years after her debut in the infamous "The Outlaw" (which was shot at the end of 1940 and beginning of 1941). She was 44 during shooting, but still in fine shape. Meanwhile brunette Tracy Olsen as the mayor's winsome daughter is worth a mention. The movie runs 1 hour, 23 minutes, and was shot at Paramount Studios, Los Angeles, and Vasquez Rocks, which is located in the high country just north of the city, east of Santa Clarita. GRADE: B-/C+

YungeMay 23, 2023

This movie already looked like an anachronism when it was released in 1966;the stars are aging actors such as Dana Andrews ,Jane Russell,John Agar ,Lon Chaney Jr ....;the score is awful and does not sound western at all;the last song is MOR pop. The screenplay is not devoid of interest:it deals with responsibility (French title:" the whole town is guilty");and more than Dana Andrews ' sheriff and his old flame Russell ,Joe Conners is the most interesting character:a very restrained performance whereas John Drake could have turned on melodrama.He is a true loser in a way that Johnny and Nona are not.His sentences in a low voice go straight to the heart: "why my brother?he never did any harm to anyone" "I wish I was never born" "I've never had a chance in life" .The ideal scapegoat,he is the true hero of the final showdown,facing alone the whole bunch of villains.

user9876086May 23, 2023

This is a Western that isn't made with enough hate for the Beavis and Butthead viewers that dominate the critics board of the late twentieth and early twenty first centuries. Hopefully, the later generations won't be as negative and unprovoked in hatred' Dana Andrews plays a very daring role that most actors wouldn't dare to play, someone who isn't a homicidal maniac. But there are other homicidal maniacs to make the haters happy. Of course they don't fare so well, which is what makes this a different sort of Western.

Lii Ne ArMay 23, 2023

1965's "Johnny Reno" was number 7 of the 13 Paramount Westerns from house producer A.C. Lyles, returning many veteran performers from previous entries: Dana Andrews (second), Lon Chaney (7 for 7), John Agar (fourth), Lyle Bettger (second), Richard Arlen (sixth), Robert Lowery (second), Reg Parton (fifth), Rodd Redwing (second), plus first timers Jane Russell and Tom Drake. The Conners brothers are accused of killing an educated young Indian in the Kansas town of Stone Junction, where federal marshal Johnny Reno (Dana Andrews) hopes to rekindle old flame Nona Williams (the still scrumptious Jane Russell). Thinking the marshal is pursuing them, the brothers open fire on Reno, who kills Ab Conners (Dale Van Sickel) in self defense, taking the wounded Joe Conners (Tom Drake) into custody. Stone Junction's mayor, Jess Yates (Lyle Bettger), seems all too anxious for Reno to return to St. Louis and leave his prisoner with Sheriff Hodges (Lon Chaney), which only whets the marshal's curiosity about the facts behind the murder charge. The longer he sticks around, the greater his suspicions become, and with the formerly cowed sheriff regaining his pride by backing Reno, prejudice and bigotry are soon vanquished. Lyle Bettger makes for an effectively slimy villain, John Agar and Robert Lowery in compliance, while Tom Drake is believable in his desperation. Jane Russell ably provides the surprisingly strong love interest, her backstory similar to that of Johnny Reno, living down past mistakes made out of love or loyalty. His career slowly winding down, Lon Chaney once again enjoys a chance to shine as Sheriff Hodges, refusing to allow vigilantism in standing up for law and order, getting shot in his final act of selflessness. The lone actor to thus far appear in all seven Lyles Westerns, Chaney only did one more, 1967's "Buckskin" (the last of the 13 to be released).

Dennise MarinaMay 23, 2023

Johnny Reno is directed by R.G. Springsteen and written by Steve Fisher and Andrew Craddock. It stars Dana Andrews, Jane Russell, Lyle Bettger, Lon Chaney Jr., John Agar and Tom Drake. A Technicolor/Techniscope production, with music by Jimmie Haskell (title tune song by Jerry Wallace) and cinematography by Harold Stine. Andrews is Johnny Reno, a tough no nonsense U.S. Marshal who after arresting suspected Indian killer Joe Conners (Drake), takes him to the jail in Stone Junction in Kansas. But once there Johnny finds a hostile and corrupt town that want Conners lynched before trial. Why? Does this town have a secret? Is Conners really as innocent as he proclaims? Reno must stand alone against the town to find the truth. Safe Western film making 101, Johnny Reno has just enough about it to keep it from stinker status. There's a fine cast involved, but they are either winding down their long careers or merely going through the motions. The direction is standard fare, with the action sequences constructed only adequately, and the musical score is at times more befitting a comedy serial episode. Yet the premise, as simple as it is, plays out well for dramatic purpose. Reno is a two fisted hard bastard type of guy, and it's fun to watch him tackle the whole of Stone Junction, including, naturally, affairs of the heart by way of Russell's Nona Williams. The narrative has some observations on corruption, racism and vigilantism that are to be applauded, while the Techniscope photography around Vasquez Rocks Natural Area Park is most easy on the eye. It is what it is, a Western in the late 60s trying to keep with the formula traditions of the "B" grade Oaters from the previous decade. It succeeds on that front for sure, where even though it has plenty of faults, it's a decent enough time waster for fans of the stars or those who like the said undemanding Westerns of the 50s. 6/10

William Last KRMMay 23, 2023

at the first scene, it already showed that this is a lousy film. one was shot dead but no blood shown at all, the other was shot in the arm, but only got some careless cosmetic red dye on the shirt, the blood stain looked so fake, just in a round shape that never enlarged, and the arm just stayed that way, no blood dripping down beneath the long sleeve, no nothing, and the guy was acting just like a normal person instead of a wounded one. then the Indian showed up, talked like white man with perfect English. then went to the town where the lousy dialog became even worse. this is one of the worst western films i've ever watched and just failed to finish it. what a pathetic western movie!

Hemal MaliMay 23, 2023

This film is poor even by the standards of an AC Lyles 'old geezer' western. Audiences back when this was released must have realised that it was bottom of the barrel schlock and laughed throughout. Anachronistic songs and music, old rheumatic actors in need of doubles, pathetic choreography; anyone seeing this in 1966 must have felt that they had gone through a timewarp and re-emerged in the 1950s. The highlight has to be the saloon fight between Dana Andrews and Lyle Bettger or, rather, the fight between their stunt doubles since the faces of the stuntmen are visible throughout and Bettger's has a different hair colour. I also laughed out loud when a rubber dummy was catapaulted into the air after an explosion and when a character was all smiles about 10 seconds after being told that her father was dead. RG Springsteen was a hack but had directed a relatively competent film (Bullet for a Badman) only a little while previously so it is not clear why, other than cheap budget and rushed shooting schedule, he is so slapdash here. Note also that Andrews' ride to Jane Russell's house is conveyed by using footage recycled from earlier in the film.

Joel EL ClaroMay 23, 2023

How ironic if Tom Drake and his brother hadn't fired on U.S. Marshal Dana Andrews one of them wouldn't have wound up dead and we would have had no film called Johnny Reno. Dana Andrews plays the title role and he's drawn into a nasty local situation when that ambush happens. He brings Drake back to town to stand trial, but finds the town in a strange mood. They literally genuflect when their Mayor Lyle Bettger gives an order. Bettger really did not want to see Drake again. Drake's accused of killing the son of a nearby Kiowa chief. That in it self is strange, why is Bettger and the town all worried about the death of an Indian which Drake protests he never did? Turns out there's a lot more going on than meets the eye. A.C. Lyles once again provides work for several players of the forties and fifties who unless they were doing television found work increasingly hard to get. Jane Russell reprises one of her tough as nails, heart of gold women she took out a patent on. Lon Chaney, Jr. plays the part of an over the hill sheriff, very similar to what he did in High Noon. He does show why Gary Cooper did not want him backing him up in that. Lyle Bettger adds another to his collection of twisted psychos he did like no one else could in the fifties. Richard Arlen and John Agar have decent size roles in this as well. Not a great western, but thank you A.C. for bringing all of this cast together.

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