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كوميدياالسنة1979المدة1h 50mIMDb5.4

المزيد من الزخرفة الأمريكية

كوميديادراماWar

استكمالا لأحداث الجزء الأول تدور أحداث الفيلم حول أربع ليالٍ من رأس سنة جديدة بين عامي 1964 و1968؛ حيث يتتبع الفيلم حياة آمال و أحلام وعلاقات رومانسية لمجموعة الأصدقاء من المدرسة الثانوية؛ حيث ميلنر يصبح مدمنًا على السباقات، بينما (تود) يشترك في الحرب في فيتنام، في الوقت الذي تنضم فيه (ديبى) للهيبز في سان فرانسيسكو، وفى الوقت ذاته يعاني (ستيف) و(لوارى) من كارثة محلية.

شاهد الآن

الإعلان الترويجي

طاقم العمل

BN

Bill Norton

Director

Candy Clark

Debbie Dunham

Bo Hopkins

Little Joe

Ron Howard

Steve Bolander

Paul Le Mat

John Milner

Mackenzie Phillips

Carol

Mackenzie Phillips

Rainbow

Charles Martin Smith

Terry the Toad

Cindy Williams

Laurie Bolander

Anna Bjorn

Eva

Richard Bradford

Major Creech

JB

John Brent

Ralph

Country Joe McDonald

Country Joe and the Fish

BM

Barry Melton

Country Joe and the Fish

RH

Robert Hogins

Country Joe and the Fish

RF

Robert Flurie

Country Joe and the Fish

PA

Peter Albin

Country Joe and the Fish

HA

Harold Aceves

Country Joe and the Fish

Scott Glenn

Newt

James Houghton

Sinclair

BN

Bill Norton

Writer

George Lucas

Writer

Gloria Katz

Writer

Willard Huyck

Writer

التعليقات

10 تعليق

Donald KarisebJun 15, 2025

I suggest if you have already seen the original American Graffiti, do not see this movie. If you haven't seen the original, I still don't recommend this, but it will be a lot less painful to watch. The characters from the first film are great, and by the end you fell a connection to them. This movie sets out to show how bad their lives have become. It's a chore to watch! Set on New year's eve in 1964, '65, '66 and '67, we have four stories about the characters from the first film. In '64, we have John Milner (Paul Le Mat) who is now a professional drag racer. He meets a foreign girl Eva, and though his plot really goes nowhere, it's the best of the four. In 1965, we have Toad (Charles Martin Smith) who is stuck in Vietnam, and more than anything, he wants out. He tries to find ways to hurt himself or do stupid things to get out. In '66, we have Debbie (Candy Clark), the girl who Toad picked up in the first movie. Now she is a pot smoking hippie, and really I'm not sure what her plot was about. It was her going to a concert...not much of anything happened. Finally, in 1967, Steve Bolander (Ron Howard) and Laurie Bolander (Cindy Williams) are having marriage problems that end in a anti-war rally and police action. None of these stories are very good. The script in some parts features very, very bad dialogue. These poor characters who I enjoyed so much in the first film, ended up where they are here...why? Why was this sequel made? I guess if a sequel was made, it had to feature the Vietnam war, and hippies and police action, but the real thing is that this movie shouldn't have been made. The direction was stylish, but it just amounts in a huge headache. Each story has a different style. Milner's is just a regular (depending on how you watch it) wide screen, and is filmed how the rest of the movie should be. Toad's plot was shot in 16mm, and what it amounts to is a poor looking picture, which is the size of a small box in the middle of the screen. Debbie's plot is shot in multi-screen. At one point there might have been one screen, but for the good majority, it's anywhere from two to twenty screens up at once. Don't bother trying to follow the screens, since there's nothing going on anyways. Steve and Laurie's plot has the weirdest filming style. It's style really doesn't mean anything, and is dumb and pointless. Instead of just a full widescreen, it's a condensed widescreen that looks like a full screen version of widescreen. Though I don't like the others, at least I understand what they were going for, this one just doesn't make sense. The music is this movie's saving grace, not that it could save this! Bob Dylan, Simon and Grafunkel, Stevie Wonder, Marvin Gaye and dozens of others have nice songs featured here. They don't save the feature, they just make it a little better than it is. It's still bad! Overall, this is a pointless sequel. Any fan of the original should avoid this lackluster sequel! My rating: * 1/2 out of ****. 110 mins. PG for language, drug use and violence

Djubi carimoJun 15, 2025

The final frames of the original "American Graffiti" provide one-line summaries of the fates of the film's four central male characters. While somewhat sexist in omitting the female characters, the ending of the original film provided all the information about those people that even the most ardent fan of the movie would want. However, someone felt that mega-bucks could be made by detailing the dreary lives of these characters after the original film ended. Bad move. Making an insurance salesman and his wife, a nerdy private in Vietnam, a drag race driver, and a overgrown hippie into interesting characters in interesting situations was far beyond the talents of those who wrote this nearly unwatchable movie. While most of the original cast is back, with only Richard Dreyfuss having the good sense to stay away, "More American Graffiti" is a mess of silly situations that involve protests, car races, country singers, and the Vietnam war. The use of split screens, once thought innovative and daring, is overused here to the point of distraction and adds confusion to the already confused goings one. This is a sequel that demonstrates nearly everything that can go wrong with a sequel. Perhaps it should be screened in film schools as a lesson. Even the use of period music, which was a delight in the original, is poorly done here. If you want more "American Graffiti," see the original twice.

Hamed LopezMay 29, 2023

source: More American Graffiti

Dr Dolor The Special One 🐝Nov 18, 2022

Ohemaa LimbeeNov 16, 2022

More American Graffiti

Rumix Baade OkochaNov 16, 2022

There was no way More American Graffiti was going to be a great film. It was following up one of the most popular movies of the 70's. George Lucas was barely involved in the production. It had a messed up story that took place on 4 seperate New Years Eves. Considering all the things working against it, I suppose it's not all that bad. There are some great scenes, but there's also an equal amount of bad scenes. John Milner's story is fairly entertaining. Toad's Vietnam story is a lot of fun to watch. But the other two stories are mediocre at best. I guess you can say half of the movie works, and the other half doesn't. Parts of the film are very funny. The highlights being Toad's attempts to get out of the Vietnam War, and Harrison Ford's cameo as a traffic cop. As a huge fan of the original American Graffiti, I got some enjoyment out of seeing all the characters again. But for most people, More American Graffiti will probably feel like a waste of time.

Girlish_touchNov 16, 2022

..this sequel is actually pretty good, the different film style for each segment works (especially the hand held camera style for the viet nam segment)...I'd rather watch this than most of the crap lucas puts out these days ...milner's character was fleshed out a bit more here from the first film, and to good effect ...my only complaint is that each segment feels like it should be a year later than the date indicated on screen (eg....no one in 1966 San Francisco would have ANY idea who Jimi Hendrix was, and those student protests on campus were more common AFTER 1967)

Nana Kwadwo jnr 🇬Nov 16, 2022

I don't know why this is so disliked. It might be that American Graffiti was so revered, that it seems sacrilegious to make a sequel of it. Personally, I really enjoyed More American Graffiti, as I did American Graffiti. In fact, I enjoyed this more than the first movie. Maybe it was the humour: there was more of it, and it was quite tongue-in-cheek, especially the Vietnam parts. Plus, the music was even better this time round, though maybe that's because I prefer 60s music to 50s stuff. Plot is great: the individual stories, the human drama, all set to the backdrop of the turbulent 60s: Vietnam, hippies, rock 'n roll, student protests. Solid direction. Good performances, including some actors in early, minor roles: MacKenzie Phillips, Rosanna Arquette, and an interesting cameo from Harrison Ford. Definitely worth watching.

Lesly Cyrus MinkueNov 16, 2022

As with many sequels, this one just doesn't have the quality or the impact of the original. The first one belongs up there with the rest of the greats. This one just doesn't cut it. The first film had a magical "good time" feeling about it that is totally missing from this film. We became enamored of all these characters (minus Richard Dreyfuss) in an age of innocence. Now, a few years later, they have changed so much that they are largely different people. While this is what happens in real life, we don't expect this to happen to our favorite film characters! The film doesn't have the humor that the original had, and we were expecting to laugh. What little humor is there is dark. The first film also featured what is probably the greatest soundtrack ever, while this one is good but not even close to the original's. This film is so totally different from the original that it isn't even actually a sequel. I gave it a 4.

raiapsara31Nov 16, 2022

"American Graffiti" while overpraised, is certainly one of the best films of the early 70s. It made tons of money and jump-started the careers of many stars. So, naturally they made a sequel--but why? At the end of the original it told us what happened to the main characters--there was absolutely no surprises here. That being said it's an OK movie. The different types of screen sizes are nice--70mm for the race car sequences; small, hand-held for the Vietnam sequences; multiple screens for Candy Clark and the hippies and regular size screen for Howard and Williams "normal" couple. But, storywise, there was nothing new here and the different screen sizes can only hold you interest for a while. It was just an average movie--but a big let-down from the original. This was not a big hit when it was released--it disappeared quickly. This is mostly a forgotten movie--as it should stay.

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