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دراماالسنة1967المدة1h 39mIMDb7.9

حفنة من الدولارات

دراماWestern

فيلم من نوعية أفلام الغرب الأمريكي والشخصية الرئيسية فيها (الرجل الذي لا اسم له) حول الغريب الذي يصل إلى بلدة سان ميغيل الصغيرة ليخبره صاحب الخان عن العداوة والبغضاء بين عائلتين تسعيان للسيطرة على البلدة. ويحاول الغريب الاستفادة من الوضع وجني المال، فيقرر التلاعب بالعائلتين ليجعل إحداهما ضد الأخرى، وتأتي فرصته مع مرور شحنة ذهب عبر المدينة برفقة سرية من الجيش المكسيكي.

شاهد الآن

الإعلان الترويجي

طاقم العمل

Sergio Leone

Director

Clint Eastwood

Joe

Gian Maria Volontè

Ramón Rojo

Marianne Koch

Marisol

Wolfgang Lukschy

John Baxter

Sieghardt Rupp

Esteban Rojo

JE

Joseph Egger

Piripero

Antonio Prieto

Don Benito Rojo

Antonio Prieto

Don Miguel Rojo

José Calvo

Silvanito

Margarita Lozano

Consuelo Baxter

Daniel Martín

Julián

Benito Stefanelli

Rubio

Mario Brega

Chico

BC

Bruno Carotenuto

Antonio Baxter

Aldo Sambrell

Rojo gang member

Raf Baldassarre

Juan De Dios

Luis Barboo

Baxter Gunman 2

Frank Braña

Baxter Gang Member

José Canalejas

Rojo Gang Member

AB

Adriano Bolzoni

Writer

ML

Mark Lowell

Writer

VA

Víctor Andrés Catena

Writer

Sergio Leone

Writer

JC

Jaime Comas Gil

Writer

FD

Fernando Di Leo

Writer

RK

Ryûzô Kikushima

Writer

Akira Kurosawa

Writer

DT

Duccio Tessari

Writer

Tonino Valerii

Writer

التعليقات

8 تعليق

Jarry ExcondeApr 19, 2026

🤠😎🤠

iamnotmizzkAug 9, 2024

When Per un pungo di dollari, or A Fistful Of Dollars, was released in the mid-1960s, the term "Spaghetti Western" was coined as a putdown to these brazen new films that dared to recreate the Wild West in a place as far away as Italy. However, the last laugh was shared by the Italian directors, whose new style of portraying Colonial America in a realistic style rather than the romanticised way that was characteristic of John Wayne and his contemporaries will be remembered long after the films of the romanticised style are no more. The plot is indescribably simple, as Clint Eastwood simply wanders into a town where gang warfare has stripped the economy to the point where only the local undertaker makes a profit and turns the two warring families against one another. Sergio Leone's best-known trademark, his dynamic use of widescreen ratios, comes to the fore here as Clint shares a film frame with no less than four of his enemies, all of whom have plenty to say to him and vice versa. This is one film where a pan and scan transfer is purely and simply vandalism. Some of the dialogue that is included here absolutely takes the cake for cleverness and wit, too. Asking four gunslingers to apologise to a horse, well, if it wasn't a man as famous for playing a gunslinger as Clint Eastwood, it'd be ridiculous. Transplanting old Samurai legends into the Wild West works well, as you can see here. Simply having an old mercenary who travels the land in search of wrongs to right and battles to be fought makes the story a lot more compelling than the Westerns where we are told every iota of the characters' motivations in the hope that it will give them some depth. The element of the main hero not getting involved in every scuffle that the bad guys cause, our semi-nameless hero's ignoring a drunken thug shooting at a little boy being the most obvious example, was another master stroke, one that got Eastwood involved in doing the film to begin with. The confrontation at the end of the film works well, too, with pyrotechnics exploding all over the picture in a bright display that keeps the film powerful and yet focused at the same time. All in all, Per un pungo di dollari gets nine out of ten from me. The lack of any interesting support characters does dull the story a little, but this mistake was quickly rectified in the two sequels. The addition of Lee Van Cleef also worked well, but in this effort, it's all Clint Eastwood, and while the rest of the cast are nowhere near as interesting, it's all a better watch than anything the Americans were lumping out at the time.

Ashley KolokoMay 29, 2023

source: A Fistful of Dollars

Friday Dayday KalaneNov 18, 2022

josyNov 16, 2022

Per un pugno di dollari

Lamar Nov 16, 2022

The first of Sergio Leone's "spaghetti westerns" is now overshadowed by its superior successors, but remains an exciting introduction to this peculiar genre. Clint Eastwood redefined the notion of a hero in this film, a man who seems to operate by a code but doesn't feel the need to explain it. Although the U.S. advertising campaign billed Eastwood's character as "The Man With No Name," a name is one thing he does have - Joe - but almost everything else about him is a mystery except for his deadly proficiency with a gun. Leone's style would be more pronounced in later films, but this one provided the template. Eastwood is superb, of course, as is Gian Maria Volante (billed as Johnny Wells) as his deadly opponent, Ramon Rojo. If it's slow moving at times, the music of Ennio Morricone always takes up the slack.

user5372362717462 MalaikaNov 16, 2022

it took me awhile to get around to watching this movie,which is considered a classic by a lot of people.it was a bit too sedate for my tastes,although it wasn't a horrible movie and it probably bears viewing at least twice.it's the first of three movies in the Man With no Name trilogy,directed by Sergio Leone and starring Clint Eastwood as the man with no name.he's also the quiet man with no name.the character doesn't say much unless he needs to.he's brooding and mysterious,and doesn't give too much away about himself.he's also calm and cool,at least on the outside,showing little or no outward emotion. Eastwood is the perfect actor to play this character.though he was in the series Rawhide,it was apparently this series that rocketed him to fame.although i thought there were some slow moment here and there,i didn't hate the film,and i can understand why it has the following and reputation it does.for me,Fistful of Dollars is a 6/10

ñđēýëNov 16, 2022

A classic. The first, or one of the first, films to introduce the concept of the Western antihero. Sergio Leone pioneered a lot of things here. The brightness, the oppressive sunlight. The ugly brutality of Western gunfights, that had always been cleaned up in Hollywood. I understand that Leone's occasional framing of the shooter and his victims in the same shot was not allowed at the time in American films. I thought, upon seeing this film years ago, that some characters (Eastwood) spoke in English, and other characters in Italian. Who knows, maybe some spoke Spanish or German. Must make for an interesting acting job. I rarely notice a movie's music, but the original score by Ennio Morricone was so fitting. Probably the best match of film and music up to that time, and only bested by Hugh Montenegro(?) in "The Good, the Bad, and the Ugly". A very good movie. Grade: A

اختيارات مميزة

هل تريد المزيد من الترفيه؟ استكشف منصة الألعاب المقترحة ووجهة الدراما القصيرة التي نوصي بها.

ألعاب فورية

Gamixo

العب ألعاب المتصفح الخفيفة مثل الألغاز والورق والرياضة والتحديات السريعة خلال ثوانٍ.

دراما قصيرة

VSKIT Drama

شاهد المسلسلات القصيرة الرائجة وقصص الرومانسية والدراما الجديدة مع تحديثات يومية سريعة.